"Modulous Contrascene" by Barry Guy, Robert Dick, Randy Raine-Reusch had its release date on 1993. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Barry Guy, Robert Dick, Randy Raine-Reusch's "GUDIRA" album is number 4 out of 9. On top of that, Canada appears to be the country where this track was created. Modulous Contrascene is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Modulous Contrascene by Barry Guy, Robert Dick, Randy Raine-Reusch to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Café des fantômes mélancoliques | Ryan Keberle, Frank Woeste, Vincent Courtois | A♭ Major | 2 | 4B | 97 BPM | ||
| Maria Mater Dei | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| Ydra 4 | Savina Yannatou, Floros Floridis, Barry Guy, Ramon Lopez | A Major | 4 | 11B | 96 BPM | ||
| Ave Maria Gratia Plena Iesus | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| A sky full of stars | Martien van der Knijff | G Minor | 3 | 6A | 101 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Spirale | Sebastian Gramss, Mark Dresser, John Eckhardt, Barry Guy, Christine Hoock, Joëlle Léandre, Dieter Manderscheid. Barre Phillips, Daniele Roccato, Tetsu Saitoh, Håkon Thelin | G Major | 1 | 9B | 77 BPM | ||
| Fische | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | F Minor | 1 | 4A | 114 BPM | ||
| Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
| Tears of the Mourning Maiden | Jason Solowsky | F Minor | 0 | 4A | 130 BPM | ||
| Contented Pelicans I | Benedicte Maurseth, Ensemble neoN | F Minor | 0 | 4A | 130 BPM | ||
| A catena | Sebastian Gramss, Mark Dresser, John Eckhardt, Barry Guy, Christine Hoock, Joëlle Léandre, Dieter Manderscheid. Barre Phillips, Daniele Roccato, Tetsu Saitoh, Håkon Thelin | A Minor | 3 | 8A | 120 BPM | ||
| Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | ||
| Castillo Interior: Adagio [Fig. 14] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Winter Flat Map | Seán Mac Erlaine, Jan Bang, Eivind Aarset | D♭ Major | 0 | 3B | 136 BPM | ||
| Part VII | Barry Guy, London Jazz Composers Orchestra | B♭ Major | 9 | 6B | 90 BPM | ||
| Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM | ||
| Still | Barry Guy | D♭ Major | 3 | 3B | 90 BPM | ||
| Dry Rot | eel | F Minor | 0 | 4A | 130 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| Everybody was so young I | Sophia Jani, Kontai Ensemble | A♭ Major | 1 | 4B | 69 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| Grit | Barry Guy | E Minor | 2 | 9A | 121 BPM | ||
| Five for Anja: II | Barry Guy, Maya Homburger | C Major | 1 | 8B | 176 BPM | ||
| Trois Strophes sur le nom de Sacher: I. Un poco indeciso | Henri Dutilleux, Christian-Pierre La Marca | B♭ Major | 1 | 6B | 83 BPM |