Albert Lortzing, Rudolf Schock, Berliner Symphoniker, Kurt Gaebel's 'Undine: Vater, Mutter, Schwestern, Brüder' had a release date set for March 24, 2017. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 29 in Die größten Tenöre by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Undine: Vater, Mutter, Schwestern, Brüder is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Undine: Vater, Mutter, Schwestern, Brüder by Albert Lortzing, Rudolf Schock, Berliner Symphoniker, Kurt Gaebel is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Der Waffenschmied, LoWV 66, Act 2: Zu Hilfe! Zu Hilfe! | Albert Lortzing, Juliette Mars, Andrew Morstein, Günther Groissböck, Miriam Kutrowatz, Timothy Connor, Arnold Schönberg Choir, ORF Vienna Radio Symphony Orchestra, Leo Hussain | C Major | 2 | 8B | 141 BPM | ||
| Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | ||
| Entweder - oder!, Polka schnell, Op. 403 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | D Major | 3 | 10B | 100 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
| Gasparone: Dunkelrote Rosen | Nordwestdeutsche Philharmonie, Heinz Geese | D Major | 2 | 10B | 148 BPM | ||
| Künstlerleben | Vienna Volksoper Orchestra | C Major | 3 | 8B | 182 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
| Zwanzinette | Franz Lehár, Wiener Salonorchester | F Major | 3 | 7B | 124 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
| Zar und Zimmermann - Komische Oper in drei Aufzügen, 1. Aufzug: Greifet an, greifet an und rührt die Hände/ Auf Gesellen, greift zur Axt | Albert Lortzing, Heinz Fricke, Munich Radio Orchestra | C Major | 2 | 8B | 113 BPM | ||
| Die Fledermaus Waltz | Wiener Symphoniker | D Major | 5 | 10B | 132 BPM | ||
| Camarade, Polka, Op. 197 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 3 | 6B | 96 BPM | ||
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Ich bin nur ein armer Wandergesell | Eduard Künneke, Rudolf Schock, Werner Schmidt-Boelcke | C Major | 1 | 8B | 170 BPM | ||
| Der Rosenkavalier, Op. 59, TrV 227 / Act I: Introduction | Richard Strauss, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
| Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Undine, Act I: Dialogue: Was aus dem Menschen nicht alles werden kann (Veit, Tobias, Marthe, Pater) | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Gunter Wewel, Dirk Schortemeier, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Kurt Peter Eichhorn | G Major | 2 | 9B | 108 BPM | ||
| Little Wonders | Veridia | G Major | 3 | 9B | 147 BPM | ||
| Salute Galop | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | E Major | 3 | 12B | 79 BPM | ||
| Der Waffenschmied: Akt I: "Welt, du kannst mir nicht gefallen" | Albert Lortzing, Staatskapelle Berlin, Heinz Fricke, Gertraud Prenzlow | C Major | 1 | 8B | 35 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | G Major | 1 | 9B | 101 BPM | ||
| Zar und Zimmermann, LoWV 38: "Den hohen Herrscher würdig zu empfangen" | Albert Lortzing, Karl Christian Kohn, Bavarian Radio Chorus, Bamberg Symphony, Hans Gierster, Wolfgang Schubert | C Major | 3 | 8B | 91 BPM |