"In Death Valley" by Tim Hecker had its release date on September 28, 2018. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Tim Hecker's "Konoyo" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. In Death Valley is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Death Valley by Tim Hecker to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| T69 collapse | Aphex Twin | D♭ Minor | 7 | 12A | 149 BPM | ||
| Water / Light / Shifts - Tim Hecker Remix | Bell Orchestre, Tim Hecker | A Minor | 4 | 8A | 83 BPM | ||
| Violet Monumental I | Tim Hecker | D Minor | 3 | 7A | 125 BPM | ||
| Cloudloss | Steve Hauschildt | E♭ Minor | 4 | 2A | 82 BPM | ||
| Splash 144 | Kara-Lis Coverdale | F Minor | 3 | 4A | 69 BPM | ||
| Sphere | Akira Kosemura | D Minor | 4 | 7A | 106 BPM | ||
| Love and Light | Lotic | D Major | 5 | 10B | 100 BPM | ||
| The Piano Drop | Tim Hecker | D♭ Minor | 9 | 12A | 114 BPM | ||
| Ouverture De Peter Hodge Transport | Kyle Bobby Dunn | F♯ Major | 2 | 2B | 66 BPM | ||
| Violet Monumental II | Tim Hecker | A Minor | 8 | 8A | 160 BPM | ||
| Virginal II | Tim Hecker | B Minor | 7 | 10A | 120 BPM | ||
| Pastorale Vassant | Jon Hassell | B♭ Minor | 5 | 3A | 115 BPM | ||
| Them, Their | Jan Jelinek | A♭ Major | 2 | 4B | 183 BPM | ||
| Hiero-Bosch For Khalil | Clark | C Minor | 5 | 5A | 82 BPM | ||
| Buhrstone | Sarah Davachi | G Minor | 1 | 6A | 70 BPM | ||
| Sleepy Eye | Susumu Yokota | C Major | 8 | 8B | 180 BPM | ||
| Something Left, Something Right, Something Wrong | The Field | F♯ Major | 5 | 2B | 133 BPM | ||
| Slate-Coloured Storm | Abul Mogard | B♭ Minor | 2 | 3A | 80 BPM | ||
| Airs for Beacons - Signals for Ports | Dale Lloyd, Fennesz, David Grubbs, Richard Chartier, Franscisco Lopez, Camilla Hannan, Taylor Deupree, Christophe Charles, Marc Behrens, Toshiya Tsunoda, Tim Hecker, Stephan Mathieu, Burkhard Beins, Jason Kahn, Keichi Sugimoto, Christopher Willits, Joel Stern | C Major | 1 | 8B | 79 BPM | ||
| Voice Crack | Tim Hecker | A Minor | 8 | 8A | 160 BPM | ||
| Where Not Even | Abul Mogard | G Major | 1 | 9B | 139 BPM | ||
| eyes glaring, | Telefon Tel Aviv | D♭ Minor | 3 | 12A | 144 BPM | ||
| Metaz form8 | Autechre | B Major | 0 | 1B | 101 BPM | ||
| Stained Glass Body | Jefre Cantu-Ledesma | C Major | 5 | 8B | 127 BPM | ||
| Stasis Sounds for Long-Distance Space Travel (Reduction 1) | 36, zakè | B Major | 0 | 1B | 54 BPM |