Alfonso Ferrabosco, VUENV, Sharon Carty's ' "Four Note Pavan (Hear Me O God)" was released on its scheduled release date, July 31, 2011. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Orfea Britannica". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. In terms of popularity, Four Note Pavan (Hear Me O God) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Four Note Pavan (Hear Me O God) by Alfonso Ferrabosco, VUENV, Sharon Carty having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Zarabanda detta la favorita | Giovanni Paolo Foscarini, Private Musicke | F Major | 1 | 7B | 145 BPM | ||
| Suite in D Minor: II. Paduan | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 127 BPM | ||
| The Secund Tuning: II. Coranto | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Couperin, L: Fantaisie | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 85 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
| Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM | ||
| In The Church of Leon... : Canten dos Jilguerillos | Francisco Escalada, Arianna Savall, La Fenice, Jean Tubéry | E Minor | 2 | 9A | 118 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| L'Apothéose de Lully: XIIIc. Rondement | François Couperin, Arcangelo, Jonathan Cohen | C Major | 1 | 8B | 74 BPM | ||
| Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| Mille regres (La Canción del Emperador) | Luis de Narváes, Jan Van Outryve | F Major | 0 | 7B | 87 BPM | ||
| So Beauty On The Waters Stood | Alfonso Ferrabosco, Clare Wilkinson, Sofie Vanden Eynde | F♯ Major | 1 | 2B | 96 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Gratioso | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Pièces de caractère pour la vielle: La Dupuits, sarabande | Jean-Baptiste Dupuits, Les Kapsber'girls | A Minor | 1 | 8A | 78 BPM | ||
| Shall I seek to ease my grief? | Alfonso Ferrabosco, Gerald English | B♭ Major | 2 | 6B | 64 BPM | ||
| Suite in A Minor: II. Allemande | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 67 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Couperin, L: Simphonie par Mr. Couperin en ré mineur | Louis Couperin, Jean Rondeau, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM |