On 1983, the song "Telephone Operator" was released by Pete Shelley. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of XL·1 by Pete Shelley. The song's track number on the album is #1 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Telephone Operator's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Telephone Operator by Pete Shelley has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Telephone Operator being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Name No Slogan | Acid Horse | F♯ Minor | 10 | 11A | 122 BPM | ||
| Up All Night | The Boomtown Rats | G Major | 9 | 9B | 133 BPM | ||
| Clean, Clean | The Buggles | G Major | 8 | 9B | 161 BPM | ||
| All That Money Wants | The Psychedelic Furs | G Major | 7 | 9B | 120 BPM | ||
| Blue Hotel | Lene Lovich | B Minor | 9 | 10A | 156 BPM | ||
| Dancing Like a Gun | John Foxx | E♭ Major | 8 | 5B | 122 BPM | ||
| E=MC2 | Big Audio Dynamite | D Minor | 8 | 7A | 130 BPM | ||
| Swear | Tim Scott McConnell | G Major | 8 | 9B | 135 BPM | ||
| Beethoven (I Love To Listen) - Remastered Version | Eurythmics, Annie Lennox, Dave Stewart | C Major | 9 | 8B | 113 BPM | ||
| Super Crook Blues | Sigue Sigue Sputnik | E♭ Major | 4 | 5B | 66 BPM | ||
| Friends - Version 2 | Adam Ant | A Major | 7 | 11B | 107 BPM | ||
| Nightmares | A Flock Of Seagulls | B Minor | 9 | 10A | 151 BPM | ||
| M.A.D. (Mutual Assured Destruction) | Sigue Sigue Sputnik | G Major | 7 | 9B | 98 BPM | ||
| Radio Waves | Orchestral Manoeuvres In The Dark | F♯ Major | 9 | 2B | 156 BPM | ||
| A Fun Bunch of Guys From… | Sparks | C Major | 6 | 8B | 149 BPM | ||
| Beat The Clock | Sparks | B♭ Minor | 9 | 3A | 126 BPM | ||
| Walking In L.A. | Missing Persons | C Major | 8 | 8B | 139 BPM | ||
| When It Started To Begin | Nick Heyward | G Major | 8 | 9B | 146 BPM | ||
| Pleasure Boys | Visage | G Minor | 8 | 6A | 134 BPM | ||
| Here We Go | Ministry | A Minor | 8 | 8A | 130 BPM | ||
| Don't Be Square (Be There) - Remastered | Adam & The Ants | E Major | 8 | 12B | 127 BPM | ||
| Cool Places | Sparks, Jane Wiedlin | C Major | 7 | 8B | 161 BPM | ||
| I've got an hot kiss | Kiroxen | G Major | 4 | 9B | 120 BPM | ||
| Life in the Gladhouse | Modern English | F♯ Minor | 8 | 11A | 124 BPM | ||
| Something About You | Re-Flex | D Major | 8 | 10B | 83 BPM |