Suite en ré: Les niais de Sologne
Jean-Philippe Rameau, Natacha Kudritskaya
Rameau: Suite en ré & Suite en la
1:44 2012
BPM
103
Key
E Major
Camelot
12B

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Suite en ré: Les niais de Sologne by Jean-Philippe Rameau, Natacha Kudritskaya Song Details

On 2012, the song "Suite en ré: Les niais de Sologne" was released by Jean-Philippe Rameau, Natacha Kudritskaya. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rameau: Suite en ré & Suite en la". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Suite en ré: Les niais de Sologne is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Suite en ré: Les niais de Sologne by Jean-Philippe Rameau, Natacha Kudritskaya having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
23%
Loudness
-23.425 dB
Acousticness
99%
Danceability
43%
Energy
19%
Instrumentalness
87%
Liveness
18%
Loudness
61%
Speechiness
3%
Valence
88%

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ISRC
FR9W11211613
Label
L-M Records/RCA Records