"Preludio de Luciérnagas" by Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco had its release date on December 11, 2025. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Preludio de Luciérnagas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco's "Luciérnaga, selección de la ópera" album is number 1 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Preludio de Luciérnagas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludio de Luciérnagas by Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | B♭ Minor | 2 | 3A | 85 BPM | ||
| Interference: III. Square Circles | Tony Roe, Doriene Marselje | D♭ Minor | 1 | 12A | 109 BPM | ||
| Threni: De Elegia Prima | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Guy Cutting, Thomas Walker | B♭ Minor | 2 | 3A | 85 BPM | ||
| Calmo e ricercato | Campana Tibetana | C Minor | 0 | 5A | 78 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | ||
| SEMA: II | Jacob Mühlrad, Magnus Holmander, Martin Fröst, Swedish Radio Symphony Orchestra | C Minor | 2 | 5A | 85 BPM | ||
| For Us | Isobell Makkar | D♭ Major | 0 | 3B | 73 BPM | ||
| La poesía nos salvará | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco, Javier Santos | C Major | 2 | 8B | 80 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| Morning Lights | The Sleepy Pianist | A♭ Major | 0 | 4B | 81 BPM | ||
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | B♭ Minor | 2 | 3A | 85 BPM | ||
| Partita, Op. 2: II. Fughetta | Georgijs Osokins, Arvo Pärt | B♭ Major | 4 | 6B | 99 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): IV. Canto del Angelito | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Ghost Reefs | Kris Davis | B♭ Minor | 2 | 3A | 85 BPM | ||
| To The Forefront | Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith | E♭ Major | 2 | 5B | 104 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B♭ Minor | 2 | 3A | 85 BPM | ||
| Variations for Orchestra, Op. 31: Variation IV. Walzertempo | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Kangastus | Ø, Mika Vainio | B Minor | 0 | 10A | 62 BPM |