Rios y Macias's ' "Al Caer De La Tarde" was released on its scheduled release date, September 9, 1964. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Al Caer De La Tarde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ríos Y Macías Con Estudiantina". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Colombia. Based on our statistics, Al Caer De La Tarde's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Al Caer De La Tarde by Rios y Macias having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Camino de Ganado | Vitico Rastrillos | F♯ Minor | 4 | 11A | 174 BPM | ||
| Cuatro preguntas | Eduardo Lopez, Obdulio Y Julian, Pedro Morales Pino | E Minor | 2 | 9A | 129 BPM | ||
| Opio Y Ajenjo | Hernando y Yesid | D Minor | 4 | 7A | 129 BPM | ||
| Señora Maria Rosa | Rios y Macias | D Minor | 2 | 7A | 103 BPM | ||
| El corazón de la caña | José A. Morales, Dueto Nocturnal | E Minor | 6 | 9A | 135 BPM | ||
| Tierra Labrantia | Gomez & Villegas | D Minor | 2 | 7A | 109 BPM | ||
| Apriete Que Va La Marca (with Orquesta Sinfónica De Entre Ríos & Coro Asociación Verdiana de Entre Ríos) | Los Hermanos Cuestas, Orquesta Sinfónica De Entre Ríos, Coro Asociación Verdiana de Entre Ríos | B♭ Minor | 5 | 3A | 125 BPM | ||
| Oración Caribe | Alfredo Sadel | F Major | 4 | 7B | 113 BPM | ||
| Chaflán | Héctor Raúl Ariza | G Major | 8 | 9B | 100 BPM | ||
| El Camino del Cafe | Los Médicos | A♭ Major | 4 | 4B | 153 BPM | ||
| Blancas Margaritas | Los medicos | E Major | 5 | 12B | 122 BPM | ||
| Arrullo de Palmas | Charlie Figueroa | C Minor | 2 | 5A | 120 BPM | ||
| Ojos Negros | Rios y Macias | F♯ Major | 3 | 2B | 95 BPM | ||
| Cantares Lugareños | Los Cuyos | F Major | 5 | 7B | 118 BPM | ||
| Amor Ciego | Trio Los Tecolines | E Minor | 3 | 9A | 109 BPM | ||
| Tristeza Marina | Chucho Avellanet con La Rondalla Venezolana | A Major | 4 | 11B | 111 BPM | ||
| Como Arrullo de Palmas | Charlie Figueroa, El Trío América | C Minor | 5 | 5A | 120 BPM | ||
| Camino Viejo | Hermanos Martínez | D Minor | 2 | 7A | 122 BPM | ||
| Y No He de Volver | Ramirez Y Arias | F Minor | 4 | 4A | 119 BPM | ||
| Despecho | Conjunto America | G Minor | 3 | 6A | 142 BPM | ||
| Me Enamore De Ti | Trio Martino | E Major | 3 | 12B | 96 BPM | ||
| China Hereje | Lucho Bowen | E Minor | 4 | 9A | 148 BPM | ||
| Al Besar de un Pétalo (Pasillo de Ecuador version) | Benítez - Valencia | C Major | 4 | 8B | 135 BPM | ||
| Mi huella | Graciela Arango de Tobón, Dueto Nocturnal | E Minor | 4 | 9A | 145 BPM | ||
| Un Recuerdo De Amor | Dueto De Antaño | D♭ Minor | 3 | 12A | 126 BPM |