Nikhil Banerjee's 'Komal Rishabh Asavari- Alap Jod & Gat' had a release date set for May 31, 2004. This song appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Sitar - Pt. Nikhil Banerjee". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Komal Rishabh Asavari- Alap Jod & Gat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Komal Rishabh Asavari- Alap Jod & Gat by Nikhil Banerjee having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhairavi Thumri: Alap | Nikhil Banerjee | D Major | 2 | 10B | 134 BPM | ||
| Romantic Dialogue | G.S. Sachdev | F Major | 0 | 7B | 79 BPM | ||
| Raga Marwa - Drut Tintal Jhala | Kushal Das | E Major | 9 | 12B | 106 BPM | ||
| Kaushi Kanra in Vilambit Tintal | Alam Khan, Indranil Mallick | C Minor | 4 | 5A | 114 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM | ||
| Raga Mishra Kafi - Vilambit | Bidyut Khan Band, Lucyan | A Major | 7 | 11B | 114 BPM | ||
| Nature Sphere | Kaustav Majumder | B♭ Major | 2 | 6B | 84 BPM | ||
| Chaiti - Dhun In Raga Khamaj | Bismillah Khan | G Major | 4 | 9B | 102 BPM | ||
| Raag Saraswati | Sounds of Optimism, Deepesh Sanmal | F♯ Minor | 6 | 11A | 155 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Bhairavi Gat | Shivkumar Sharma | E Minor | 5 | 9A | 126 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | B♭ Minor | 0 | 3A | 136 BPM | ||
| Raga Bhoopali | Kumar Gandharva | D♭ Major | 4 | 3B | 101 BPM | ||
| Aarti | Dinesh Mishra | E Major | 4 | 12B | 98 BPM | ||
| Raga Hemant - Main Part | Bidyut Khan Band, Lucyan | D♭ Major | 8 | 3B | 93 BPM | ||
| Raga khafi | Lakshmi Shankar | F Minor | 1 | 4A | 94 BPM | ||
| Raga Karnaranjani | Ganesh & Kumaresh | A♭ Minor | 6 | 1A | 175 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Bhatiyali - Based on : Pahadi Jhinjhit | Bidyut Khan Band, Lucyan | B Minor | 4 | 10A | 103 BPM | ||
| Amaturi | Aziz Herawi | D Major | 3 | 10B | 149 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Niraval | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 164 BPM | ||
| Raga Gauti | Vilayat Khan | D♭ Major | 5 | 3B | 165 BPM | ||
| Vilambit laya: Medium Tempo: Amad, Peshkar, Qaida & Chakradhar | Traditional, Alla Rakha, Zakir Hussain | D♭ Minor | 6 | 12A | 91 BPM | ||
| Dhun Siya | Langas, Manganiars | G Major | 7 | 9B | 122 BPM | ||
| Raaga Kafi - Teentaal | Ronu Majumdar, Ajeet Pathak | F♯ Minor | 2 | 11A | 84 BPM |