"Midnight Waltz (Piano Version)" by Adam Hurst had its release date on March 20, 2020. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Unreleased Work, Vol. 1". In this album, this song's track order is #18. Midnight Waltz (Piano Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Midnight Waltz (Piano Version) by Adam Hurst having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beginning to End: Act VI | Hendyamps Studios, Aimee Norris | C Minor | 3 | 5A | 110 BPM | ||
| Reflection #2 | Joep Beving | G Minor | 0 | 6A | 127 BPM | ||
| The Flirtation | Rolando Gori, Daniel T. Curran, Twisted Jukebox | D♭ Major | 7 | 3B | 142 BPM | ||
| Jester's Waltz | Jojo Comps | G Minor | 3 | 6A | 80 BPM | ||
| City at Night | Ilya Beshevli | G Minor | 1 | 6A | 132 BPM | ||
| Faded Past | Elemental SoundWorks | F Major | 0 | 7B | 72 BPM | ||
| Deja Vu | Ilya Beshevli | A Minor | 2 | 8A | 144 BPM | ||
| Amica mea | Ophelia's Dream | A Minor | 3 | 8A | 77 BPM | ||
| Erupting Light | Hildur Guðnadóttir, Jóhann Jóhannsson | D Minor | 2 | 7A | 56 BPM | ||
| An Isolated Moment | Keith Merrill | A♭ Major | 2 | 4B | 78 BPM | ||
| Requiem for the Melancholy | Peter Cavallo | C Minor | 1 | 5A | 78 BPM | ||
| Somewhere Else | Dario Crisman | E Minor | 1 | 9A | 80 BPM | ||
| Musica Universalis | Alex Baranowski, Daniel Hope, Chie Peters, Jacques Ammon, Deutsches Kammerorchester Berlin | A Major | 1 | 11B | 74 BPM | ||
| Lula Mountain | Cellofeggio, Lu Dimon | A Minor | 1 | 8A | 128 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Wavy Memories | Tavlı, Cristian Vivaldi | D♭ Major | 2 | 3B | 139 BPM | ||
| Thysbe | Oskar Schuster | D Minor | 5 | 7A | 156 BPM | ||
| What Went We | Mark Korven | G Minor | 0 | 6A | 82 BPM | ||
| Rain Song | Max Ablitzer | C Major | 1 | 8B | 106 BPM | ||
| Oddly Dark | Ah2 | G Major | 2 | 9B | 80 BPM | ||
| Black Tourmaline | Adam Hurst | A♭ Major | 1 | 4B | 111 BPM | ||
| Bound By The Earth | The Witchery | E♭ Minor | 4 | 2A | 112 BPM | ||
| An Amalgamation Waltz 1839 - Vocal Version | Joep Beving, Grace Davidson, Sonderling Quartet | E Minor | 1 | 9A | 113 BPM | ||
| Afterlife | Adam S Hurst, Adam Hurst | D♭ Minor | 2 | 12A | 47 BPM | ||
| Beginning to End | Hendyamps Studios, Aimee Norris | D Minor | 2 | 7A | 124 BPM |