LES ESCROCS's ' "Les Faux-Culs" was released on its scheduled release date, January 1, 1997. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in C'est Dimanche by LES ESCROCS. In terms of popularity, Les Faux-Culs is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Les Faux-Culs by LES ESCROCS is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La gifle | LES ESCROCS | D♭ Major | 6 | 3B | 106 BPM | ||
| Papillons | Didier Sustrac | F♯ Major | 7 | 2B | 93 BPM | ||
| Let Yourself Be Loved | The French Note | F Major | 6 | 7B | 118 BPM | ||
| All I Really Want Is Love | Henri Salvador, Lisa Ekdahl | D♭ Major | 5 | 3B | 142 BPM | ||
| La nuit est à nous | Anthony Rozankovic, Pierre Pépin, Camil Bélisle, Benoît Charest, Chantale Thibeault | E Minor | 2 | 9A | 75 BPM | ||
| Tout ça pour la Bossa Nova | Pascal Parisot, Fredda | B Minor | 9 | 10A | 176 BPM | ||
| Pendant que je me parle | Fredda | G Minor | 5 | 6A | 136 BPM | ||
| Samois A Moi | Cyrille Aimee, Diego Figueiredo | E♭ Major | 2 | 5B | 89 BPM | ||
| Séquoia | Presque Oui | F♯ Minor | 2 | 11A | 135 BPM | ||
| Black Orpheus | Livia Blanc | E Minor | 3 | 9A | 120 BPM | ||
| Midi dans le salon de la duchesse | Keren Ann | G Major | 3 | 9B | 106 BPM | ||
| Little French Song | Carla Bruni | B Major | 4 | 1B | 112 BPM | ||
| Le plus beau du quartier | Carla Bruni | A Major | 3 | 11B | 116 BPM | ||
| Que Reste-T-Il De Nos Amours? | Stacey Kent | C Major | 2 | 8B | 118 BPM | ||
| Décalage Horaire | Marcel Amont, Agnès Jaoui | F Major | 7 | 7B | 83 BPM | ||
| Comment Te Dire Adieu | String Swing | B♭ Minor | 5 | 3A | 136 BPM | ||
| Na Casa Do Seu Humberto | Márcio Faraco | C Major | 3 | 8B | 81 BPM | ||
| オー! マドモワゼル | Clémentine | F Major | 3 | 7B | 115 BPM | ||
| Mambo Craze | Nashi Young Cho Jazz Quartett | A♭ Major | 4 | 4B | 130 BPM | ||
| Vous Qui Passez Sans Me Voir | Chantal Chamberland | B♭ Major | 2 | 6B | 115 BPM | ||
| Mountain Greenery | Kat Edmonson, Vince Giordano And The Nighthawks | E Minor | 4 | 9A | 168 BPM | ||
| On saura pas | Presque Oui | A Major | 3 | 11B | 204 BPM | ||
| Mourir d'alcool et de poésie | Nicola Són | A♭ Major | 5 | 4B | 92 BPM | ||
| Pourquoi Tu Vis | Elizabeth Shepherd | G Minor | 2 | 6A | 122 BPM | ||
| ロシュフォールの恋人たち | Nicki Parrott | C Minor | 6 | 5A | 114 BPM |