On September 7, 2016, the song "Kaay Tula Arpu Prabhu" was released by Fr Ramesh F D'Souza. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Bhakar Jeevnachi by Fr Ramesh F D'Souza. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Kaay Tula Arpu Prabhu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kaay Tula Arpu Prabhu by Fr Ramesh F D'Souza is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Dhanye Mathave | Good Shepherd Vocals | G Minor | 4 | 6A | 88 BPM | ||
| Paadi Pukazhthidam | Maramon Convention | E Minor | 7 | 9A | 102 BPM | ||
| Hari Bhajan Bina Sukh Shanti Nahin | Sri Sathya Sai Bhajans | F Major | 4 | 7B | 176 BPM | ||
| Munne Mere Soja | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM | ||
| Surya Dev Ki Aarti | Varsha Srivastava | F♯ Major | 6 | 2B | 90 BPM | ||
| Jai Lakshmi Mata | Rattan Mohan Sharma | F♯ Major | 6 | 2B | 96 BPM | ||
| Uyyala Loogavayya | Vedavathi Prabhakar | B♭ Major | 7 | 6B | 152 BPM | ||
| Jau Chala Ra Shirdila | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Gahra Samudar | SWEETY VIDYA, Ajit Roshan | A♭ Major | 8 | 4B | 142 BPM | ||
| So Ja Re - Original | Lalitya Munshaw | D Minor | 2 | 7A | 170 BPM | ||
| Tu Hi Mere - Original | Lalitya Munshaw | B♭ Major | 3 | 6B | 96 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Masah Kar Mujhe | Subhash Gill, Ernest Mall | F♯ Major | 3 | 2B | 120 BPM | ||
| Mahonathuda | Hosanna Ministries Kurnool | F Minor | 7 | 4A | 88 BPM | ||
| Kya Ho Raha Hai Sansar Mein | Fr Ramesh F D'Souza | F♯ Minor | 4 | 11A | 82 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Ma Sandaha | Archdiocesan Choir | C Major | 6 | 8B | 90 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Nothing Compares to the Sacred Word | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| kab tak | Anil Kant | D Major | 4 | 10B | 136 BPM | ||
| Innaallu Thoduga | Symphony Music, A R Stevenson | F Minor | 4 | 4A | 156 BPM | ||
| Thumak Thumak Manki Nache Re | Anoopam Mission, Sachin Limye | E♭ Major | 6 | 5B | 86 BPM | ||
| Parshwa Chintamani Mero Mero | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM |