Kevin Hart's 'Dancing at the Club' had a release date set for April 9, 2012. This song is quite longer than the average track at 5 minutes and 3 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Kevin Hart's "Laugh At My Pain" album is number 17 out of 17. Dancing at the Club is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dancing at the Club by Kevin Hart to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Running into a Guy with a Gun | Josh Johnson | G Major | 6 | 9B | 80 BPM | ||
| Downgraded | Jim Jefferies | E Major | 8 | 12B | 119 BPM | ||
| The Economy / Stem Cells and J**z | Greg Giraldo | F♯ Minor | 9 | 11A | 89 BPM | ||
| Killer in the Backseat | Pete Holmes | F Minor | 9 | 4A | 100 BPM | ||
| Behind the Music: Drake & Lil Wayne | Jay Pharoah | E Minor | 6 | 9A | 84 BPM | ||
| You Can't Fool Me | Champaign Underground, Paul Kotheimer, Tim Green, Megan Nortrup, Josh Walden, Kevin Hart, Jeff Magby | G Minor | 2 | 6A | 121 BPM | ||
| Racism | Ari Shaffir | A Minor | 7 | 8A | 84 BPM | ||
| Cell Phones and Flying | Louis C.K. | D Major | 10 | 10B | 101 BPM | ||
| You Got Ruppied | Jo Koy | A Major | 10 | 11B | 85 BPM | ||
| If I Lost Something | Jo Koy | D♭ Major | 10 | 3B | 92 BPM | ||
| Japanese Food / Free Willy | John Pinette | F Major | 8 | 7B | 58 BPM | ||
| Middle Eastern Moment | Aries Spears | A Major | 10 | 11B | 83 BPM | ||
| Finally Got My Motorcycle | Katt Williams | B♭ Minor | 4 | 3A | 84 BPM | ||
| Eight | Daniel Tosh | A♭ Major | 10 | 4B | 106 BPM | ||
| Milk & Pets | Louis C.K. | E Minor | 8 | 9A | 89 BPM | ||
| The Invisible Anus | Patton Oswalt | E♭ Minor | 9 | 2A | 92 BPM | ||
| Medieval Times | Wyatt Cenac | A♭ Major | 9 | 4B | 101 BPM | ||
| Working Class Family | Billy Gardell | D♭ Major | 9 | 3B | 110 BPM | ||
| Naked Just Sox | Robert Kelly | A♭ Major | 10 | 4B | 115 BPM | ||
| Whitewater Rafting | Kevin Hart | C Minor | 4 | 5A | 99 BPM | ||
| I'm Not a Sexy Person | Whitney Cummings | B Major | 8 | 1B | 68 BPM | ||
| Twelve Words | Bert Kreischer | B Minor | 5 | 10A | 86 BPM | ||
| Half-White | Russell Peters | A Minor | 7 | 8A | 74 BPM | ||
| Fictitious Disorder | Daniel Tosh | B♭ Minor | 7 | 3A | 82 BPM | ||
| Different Perspective | Carlos Mencia | D Major | 9 | 10B | 83 BPM |