On February 20, 2009, the song "Tirumala Vaasa Sri Srinivasa" was released by Usha. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Chilkur Supra Batham by Nishma. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Tirumala Vaasa Sri Srinivasa is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tirumala Vaasa Sri Srinivasa by Usha is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pereti Kobbari | M.M. Kirvaani, Usha, Vandemataram Srinivas, Diwakar | F♯ Major | 5 | 2B | 157 BPM | ||
| Sri Kanakadurgamma Navaratrule - Telugu | Sree Nihal, MJS. Vyshnavi, Dr. Josyabhatla | F♯ Major | 6 | 2B | 147 BPM | ||
| Thelangana Gattumeedha | Vandemataram Srinivas, Mandey Sathyam | B Minor | 9 | 10A | 98 BPM | ||
| Swamiyappa Ayyappa | D.V. Ramani, Pondhuri, Murali | G Minor | 8 | 6A | 150 BPM | ||
| Sri Shiva Panchakshari Stotram | S.P. Balu | D♭ Major | 5 | 3B | 165 BPM | ||
| Brahmam Okate by Lakshmy Ratheesh and Radhika Venugopal | Lakshmy Venugopal and Radhika Venugopal | C Minor | 4 | 5A | 140 BPM | ||
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Sivoham | Hariharan | F Major | 3 | 7B | 99 BPM | ||
| Aanandham | Sarath Santosh, Shweta Pandit, M. M. Keeravaani, Chandra Bose | E Minor | 7 | 9A | 153 BPM | ||
| Ayya Ninu Maruvanu Ayyappa Ninu Maruvanu | A. Jangi Reddy | D Major | 8 | 10B | 110 BPM | ||
| Kaala Bairavashtakam | Sudula Bandhavi, T Hari | F♯ Major | 9 | 2B | 142 BPM | ||
| Sirula Nosage | Swarnalatha, Sujatha | D♭ Major | 9 | 3B | 182 BPM | ||
| Sri Parvathi Vallabha | S.P. Balu | F♯ Major | 4 | 2B | 144 BPM | ||
| Hayagreeva Manthram | Mallika Dharnana | F♯ Major | 2 | 2B | 87 BPM | ||
| Kaliyuga Vaikuntapuri | S. P. Balasubrahmanyam, Srinidhi, Ramya Behara, M. M. Keeravaani, Vedavyasa | E♭ Major | 6 | 5B | 162 BPM | ||
| Nuvve Nuvve ( Duet) | Sa. Si. Preetham, Usha, Sahithi | G Minor | 8 | 6A | 150 BPM | ||
| Chandamama Chandamama Ayyappa | Dappu Srinu | E♭ Minor | 10 | 2A | 95 BPM | ||
| Emikonda ra Emikonda ra | Kapil Madduri | B♭ Major | 7 | 6B | 138 BPM | ||
| Aidu Girisudu Hari Hara Nandana Ayyappa Deva | Dappu Srinu | F♯ Minor | 5 | 11A | 92 BPM | ||
| Sharnam Sai Shyam | Usha | F Major | 4 | 7B | 100 BPM | ||
| Sambho Shnkara | Anilkumar | D Minor | 6 | 7A | 97 BPM | ||
| Sri Mallikarjuna | S.P. Balu | D♭ Major | 3 | 3B | 128 BPM | ||
| Brundhavanamuna | M. M. Keeravaani, Usha Munukutla | F Major | 6 | 7B | 94 BPM | ||
| Baasara Lo Na | Usha | F Major | 3 | 7B | 100 BPM | ||
| Sive Siva Sankara | V. Ramakrishna | E Minor | 6 | 9A | 94 BPM |