"Left Alone (with Ran Blake)" by Jeanne Lee, Ran Blake had its release date on 1962. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Left Alone (with Ran Blake)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Newest Sound Around (with Ran Blake)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Left Alone (with Ran Blake) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Left Alone (with Ran Blake) by Jeanne Lee, Ran Blake having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Church on Russell Street (with Ran Blake) | Jeanne Lee, Ran Blake | C Major | 1 | 8B | 81 BPM | ||
| Hummin' | Toots Thielemans, Quincy Jones, Valerie Simpson | D Minor | 6 | 7A | 94 BPM | ||
| Visions | Marion Brown | F♯ Minor | 3 | 11A | 81 BPM | ||
| I Feel Pretty | Annie Ross, Gerry Mulligan Quartet | G Minor | 4 | 6A | 80 BPM | ||
| The Hard Way | Connor Young | A Major | 2 | 11B | 87 BPM | ||
| Sometimes I Feel Like a Motherless Child | Ran Blake, Jeanne Lee | F Minor | 1 | 4A | 96 BPM | ||
| Anigel Eyes | Austyn Ziemann | C Major | 2 | 8B | 117 BPM | ||
| Elijah | Donald Byrd | A Minor | 6 | 8A | 93 BPM | ||
| 63rd And Cottage Grove | The John Wright Trio | E♭ Minor | 4 | 2A | 132 BPM | ||
| Sweet Sorrow | Joshua Redman Quartet | G Minor | 1 | 6A | 79 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Black And Tan Fantasy | Earl Hines | F Major | 3 | 7B | 71 BPM | ||
| Cartoon | Paul Bley Trio | F♯ Minor | 3 | 11A | 89 BPM | ||
| A Slow Hot Wind | Johnny Hartman | B♭ Minor | 2 | 3A | 93 BPM | ||
| A Foggy Day | Hazel Scott | B♭ Major | 1 | 6B | 90 BPM | ||
| Where Flamingos Fly (with Ran Blake) | Jeanne Lee, Ran Blake | C Minor | 0 | 5A | 78 BPM | ||
| Prayer For Jimbo Kwesi | Art Ensemble Of Chicago | D Major | 1 | 10B | 105 BPM | ||
| 35th St. Blues | The John Wright Trio | F Minor | 1 | 4A | 147 BPM | ||
| Nusia's Poem | Roy Hargrove | D♭ Minor | 3 | 12A | 115 BPM | ||
| Wet in Paris | Erik Truffaz | B♭ Minor | 4 | 3A | 132 BPM | ||
| Left Alone | Ran Blake, Jeanne Lee | F♯ Minor | 0 | 11A | 62 BPM | ||
| Senor Blues | Horace Silver | B♭ Minor | 3 | 3A | 149 BPM | ||
| You Go To My Head | Jeanne Lee, Mal Waldron | E♭ Major | 0 | 5B | 83 BPM | ||
| Struggle To Be | Marcello Melis, Don Pullen, Enrico Rava, Don Moye, Fred Hopkins, Gary Valente, George Lewis, Jeanne Lee, Lester Bowie, Naná Vasconcelos, Sheila Jordan | F Major | 6 | 7B | 100 BPM | ||
| You Stepped Out of a Dream | Anthony Braxton | C Major | 3 | 8B | 101 BPM |