- BPM
- 60
- Key
- E♭ Major
- Camelot
- 5B
La Paloma by Rudolf Schock Song Details
Rudolf Schock's 'La Paloma' had a release date set for April 29, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rudolf Schock's "La Paloma" album is number 4 out of 10. La Paloma is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of La Paloma by Rudolf Schock to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -16.258 dB
- Acousticness
- 96%
- Danceability
- 26%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 26%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Der Zigeunerbaron, Operetta in 3 Acts: Ja, das alles auf Ehr' | Johann Strauss II, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 179 BPM | |
 | Auf dem Berge Ida | Rudolf Schock | B♭ Major | 2 | 6B | 127 BPM | |
 | Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | |
 | Mache dich auf, werde licht | Klaus Heizmann, Wiesbadener Studiochor, Wolfgang Blissenbach, Gerhard Opiz, Dana Geissler | G Major | 2 | 9B | 81 BPM | |
 | Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | |
 | Der Liebestrank, Act II: "Heimlich aus ihrem Auge" (Nemorino) | Gaetano Donizetti, Berliner Symphoniker, Ernst Märzendorfer, Rudolf Schock | D♭ Major | 3 | 3B | 82 BPM | |
 | Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | |
 | Limburg Mijn Vaderland: Limburg Mijn Vaderland | The Royal Song Association Mastreechter Staar, Chantal Janzen, Bèr Schellings, Roger Moens | B♭ Major | 1 | 6B | 95 BPM | |
 | Les contes d'Hoffman: Einmal wird ein Wunder gescheh'n | Gaby Albrecht | G Major | 5 | 9B | 78 BPM | |
 | Annchen von Tharau | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | A Major | 1 | 11B | 139 BPM | |
 | Straus: Ein Walzertraum, Act I: "Ich hab' mit Freuden angehört" - "Alles was keck und fesch" | Oscar Straus, Lisa Otto, Manfred Schmidt, Brigitte Mira, Bruno Fritz, Melitta Muszely, Rudolf Schock, Wilhelm Schüchter, Berliner Symphoniker | A Major | 5 | 11B | 118 BPM | |
 | Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | |
 | Trinke, Liebchen (Glücklich ist, wer vergisst) | Fritz Wunderlich | G Major | 4 | 9B | 78 BPM | |
 | Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Christian Van Horn, Christina Landshamer, Kostas Smoriginas, Magdalena Kožená, Rachel Frenkel, Berliner Philharmoniker | F Major | 2 | 7B | 111 BPM | |
 | Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | |
 | Ein Lied geht um die Welt | Hans May, Jonas Kaufmann, Berlin Radio Symphony Orchestra, Jochen Rieder | C Major | 2 | 8B | 86 BPM | |
 | Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 4 | 3B | 116 BPM | |
 | Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | |
 | Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | |
 | Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | |
 | Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | |
 | Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester, Angelika Kirchschlager | D Major | 1 | 10B | 87 BPM | |
 | Walzer, op. 39 Nr. 15 | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | |
| Die Lorelei: Ich weiss nicht, was soll es bedeuten | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D♭ Major | 0 | 3B | 127 BPM | |
 | Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM |
- ISRC
- UK8D41420307
- Label
- L-M Records/RCA Records