"Dmi Thing from When She Was the Kitchen" by Jon Brion had its release date on 2008. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Dmi Thing from When She Was the Kitchen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Synecdoche, New York (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Based on our statistics, Dmi Thing from When She Was the Kitchen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dmi Thing from When She Was the Kitchen by Jon Brion having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM | ||
| Followed | Daniel Lopatin | A♭ Major | 2 | 4B | 85 BPM | ||
| Ocean>Rave | Oliver Coates | G Major | 1 | 9B | 91 BPM | ||
| Last Dance (score) | Oliver Coates | B Minor | 3 | 10A | 137 BPM | ||
| Planet Earth | Owen Pallett | F♯ Major | 0 | 2B | 84 BPM | ||
| 昨日来た手紙 -ハウスのテーマより | Godiego | G Major | 2 | 9B | 69 BPM | ||
| Evil Does Not Exist V.2 | Eiko Ishibashi | E♭ Minor | 2 | 2A | 142 BPM | ||
| Water Fields | Ryan Lott | G Major | 3 | 9B | 124 BPM | ||
| Emily's Theme | Nathan Johnson | C Major | 4 | 8B | 60 BPM | ||
| J.J. Gittes - From The "Chinatown" Soundtrack | Jerry Goldsmith | D Minor | 2 | 7A | 100 BPM | ||
| Slow 30's Room | David Lynch, Dean Hurley | C Minor | 4 | 5A | 90 BPM | ||
| No Rules | Astral | B♭ Minor | 4 | 3A | 196 BPM | ||
| The Ghost | Christopher Spelman | C Major | 3 | 8B | 172 BPM | ||
| DVCAM | Oliver Coates | E♭ Minor | 6 | 2A | 80 BPM | ||
| Hiroshima, mon Amour – part.2 | Giovanni Fusco | E Major | 0 | 12B | 66 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| What I Love About Charlie | Randy Newman | A Minor | 1 | 8A | 165 BPM | ||
| Against the Odds | Astral | D Major | 4 | 10B | 127 BPM | ||
| Le Petit Chateau | Punch-Drunk Love | A Minor | 0 | 8A | 191 BPM | ||
| We'll live through the long, long days, and through the long nights | Eiko Ishibashi | D♭ Major | 3 | 3B | 111 BPM | ||
| Finale and End Credits | David Shire | E Minor | 2 | 9A | 138 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Long Way Down | Dan Wool | C Minor | 5 | 5A | 150 BPM | ||
| Piano Two | Jon Brion | C Minor | 0 | 5A | 76 BPM | ||
| Love Would Shatter | Trent Reznor and Atticus Ross | D Minor | 2 | 7A | 120 BPM |