"4AM (Instrumental)" by Martha Bean had its release date on September 16, 2022. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 5 out of 6 in First Light by Martha Bean. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 4AM (Instrumental) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 4AM (Instrumental) by Martha Bean is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Give Me Light | Marti West | E Major | 3 | 12B | 75 BPM | ||
| Fuel to Fire | Agnes Obel | A Minor | 2 | 8A | 129 BPM | ||
| Hanging on the Edge | Regina Price | C Major | 4 | 8B | 128 BPM | ||
| Don't Need 2 Pretend | Huw Williams, Martha Bean | C Major | 7 | 8B | 120 BPM | ||
| My Eyes Keep | Peter Groenwald | G Major | 1 | 9B | 82 BPM | ||
| Beneath the Shadows | Martha Bean | F Major | 3 | 7B | 150 BPM | ||
| When Love Is Gone | Jason Tarver, Blake Devon | D Major | 2 | 10B | 124 BPM | ||
| Too Much | Jeffrey Amor | B Major | 3 | 1B | 73 BPM | ||
| Sabotage | Amy Stroup | F Major | 4 | 7B | 94 BPM | ||
| Calling out My Name | Elaskia | F♯ Minor | 4 | 11A | 122 BPM | ||
| New Shores | The Blues And Greys | G Major | 7 | 9B | 129 BPM | ||
| Hold What You Can | Amy Stroup | F♯ Major | 3 | 2B | 135 BPM | ||
| Soul Changing | Maya Isacowitz | B♭ Minor | 3 | 3A | 139 BPM | ||
| I Won't Let You Down | Erin McCarley | G Major | 3 | 9B | 73 BPM | ||
| Half My Mind Ago | Kathleen | C Major | 2 | 8B | 120 BPM | ||
| Innocence | Cannon Division, Soren Bryce | B Minor | 5 | 10A | 140 BPM | ||
| Borderline | Florrie | F♯ Major | 3 | 2B | 116 BPM | ||
| High Tide | Lemolo | D Minor | 6 | 7A | 95 BPM | ||
| Breath | Ex Makina | B Major | 6 | 1B | 97 BPM | ||
| Resonance Drift | Ovoh White | D♭ Minor | 0 | 12A | 110 BPM | ||
| The After You | Miakoda | F♯ Minor | 1 | 11A | 74 BPM | ||
| The One Exceptions | Gresby Race Nash, Louise Dowd | A♭ Major | 5 | 4B | 125 BPM | ||
| The Weight of Your Words | The Venice Connection | G Major | 4 | 9B | 150 BPM | ||
| Illuminate | Rupert Pope, Giles Palmer, Eller | A Minor | 5 | 8A | 105 BPM | ||
| Angels Falling | Ghost Monroe | B Minor | 5 | 10A | 80 BPM |