ZEROSEN's ' "Leaving Tonight" was released on its scheduled release date, October 25, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "SUNRISE". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, Leaving Tonight is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Leaving Tonight by ZEROSEN having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme From Electric Surfboard | Jack McDuff | F♯ Major | 6 | 2B | 98 BPM | ||
| Cherries - 2024 Remastered Version | O'Donel Levy | B♭ Major | 4 | 6B | 129 BPM | ||
| シティ・コネクション | Terumasa Hino | B♭ Major | 4 | 6B | 110 BPM | ||
| マスカレード | セキトオ・シゲオ | F♯ Major | 2 | 2B | 110 BPM | ||
| Everything Counts | David Axelrod | F Major | 5 | 7B | 152 BPM | ||
| Smash | 鈴木宏昌 | F Major | 6 | 7B | 102 BPM | ||
| Hohai-Bushi | Kiyoshi Yamaya, Kifu Mitsuhashi | A Minor | 7 | 8A | 115 BPM | ||
| CHARCOAL BREAK | NANIWA EXPRESS | B♭ Major | 6 | 6B | 103 BPM | ||
| Turkish Bath | Weldon Irvine | G Minor | 8 | 6A | 148 BPM | ||
| TRANSPARENCY | Issei Noro | F♯ Minor | 7 | 11A | 105 BPM | ||
| Bridge Through Time | Lonnie Liston Smith | D Major | 6 | 10B | 81 BPM | ||
| サン・オブ・ピン・ヘッド | ゼロ戦 | B♭ Minor | 5 | 3A | 90 BPM | ||
| BAMBOO BONG | Kenji Omura | E Minor | 5 | 9A | 94 BPM | ||
| 黒田節 | 佐々木久美 | D Major | 5 | 10B | 152 BPM | ||
| Accadde a Belfast | Arawak | B♭ Minor | 4 | 3A | 92 BPM | ||
| ロマンス | 鈴木 弘 | G Minor | 2 | 6A | 73 BPM | ||
| クロとシロ | 鈴木 弘 | A♭ Major | 4 | 4B | 101 BPM | ||
| サンセット・フライト | Yuji Ohno, ユー & ザ・エクスプロージョン・バンド | A♭ Major | 8 | 4B | 110 BPM | ||
| The Two-Headed Freap | Ronnie Foster | F Minor | 5 | 4A | 134 BPM | ||
| All-Night Rendezvous | Toshiyuki Honda, Seawind | D Minor | 5 | 7A | 89 BPM | ||
| Nowin | Masaru Imada | C Major | 5 | 8B | 82 BPM | ||
| Scramble | 鈴木宏昌 | D Major | 9 | 10B | 118 BPM | ||
| Summer (The First Time) | Gene Harris | D♭ Minor | 4 | 12A | 161 BPM | ||
| The Bird Wave | Jimmy McGriff | F Minor | 9 | 4A | 95 BPM | ||
| Bacharach Medley | サミー, 岡沢 章, 稲垣次郎とソウル・メディア | C Major | 5 | 8B | 131 BPM |