Lord Alfred Tennyson's ' "The Lady Of Shalot" was released on its scheduled release date, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 18 out of 46. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Lady Of Shalot is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Lady Of Shalot by Lord Alfred Tennyson to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Growing Up in the Bad Lands | Tim Dunnigan | E Major | 2 | 12B | 96 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| Ballad Of Rock Ridge | Hollywood Studio Symphony Orchestra | F Major | 3 | 7B | 116 BPM | ||
| The Mikado: I've Got a Little List | Eric Idle | E♭ Major | 1 | 5B | 119 BPM | ||
| There's a Fearsome Beast | Chuck Parker | F♯ Major | 3 | 2B | 92 BPM | ||
| Sweet and Low - Upper voices | Andy Brooke, Lord Alfred Tennyson, Oxford University Press, Commotio Chamber Choir, Joanna Tomlinson | B♭ Major | 0 | 6B | 144 BPM | ||
| The Flying Fortress | Oscar Brand | F Major | 6 | 7B | 114 BPM | ||
| Collision Course | Chris Barrie | D Major | 4 | 10B | 108 BPM | ||
| The Armed Services Medley | US Army Band and Chorus | B♭ Major | 5 | 6B | 119 BPM | ||
| Nurse | Derek & Clive | F Minor | 1 | 4A | 99 BPM | ||
| The Richest Man Alive | Leon Earl Harris | D Minor | 3 | 7A | 110 BPM | ||
| We All Watch Together | Interleave, Oleksa Lozowchuk, John Robert Matz | G Major | 5 | 9B | 131 BPM | ||
| Chamberlain - Peace In Our Time | Magnus Ringblom | F Major | 6 | 7B | 112 BPM | ||
| Mr. Stalin You're Eating Too High on the Hog | Jane Archer and the Reactionaries | E Major | 7 | 12B | 76 BPM | ||
| Blood on the Risers: A Rendezvous With Destiny (Original Motion Picture Soundtrack) [Radio Edit] | WWII Beyond The Call | G Major | 2 | 9B | 108 BPM | ||
| Many Men Have Gunz (feat. We Were Soldiers) Final Battle Scene (song Sgt.MacKenzie) Tribute to Sgt McKenzie | Lowescompany Music Productions | B Minor | 2 | 10A | 170 BPM | ||
| Falling Below Thinking | Eckhart Tolle | A Major | 2 | 11B | 103 BPM | ||
| U.S. March/Frog in the Well | 119th NYSV Field Music | C Major | 6 | 8B | 179 BPM | ||
| Billy Boys | Lily Wilson | D Major | 6 | 10B | 117 BPM | ||
| Not a Bad Day for It | John Clarke | G Major | 7 | 9B | 86 BPM | ||
| Australia Will Be There | Graham Rodger | D Major | 4 | 10B | 109 BPM | ||
| Operation Iraqi Freedom | George W. Bush | F♯ Major | 2 | 2B | 83 BPM | ||
| One One Was a Race Horse | Reg Poole | A♭ Major | 6 | 4B | 176 BPM | ||
| Silicon Heaven | Chris Barrie | D Minor | 1 | 7A | 131 BPM | ||
| Rule, Britannia! (Arr. Malcolm Sargent) | Thomas Arne, Sir Malcolm Sargent, James Thomson, Nicole Car, Tasmanian Symphony Orchestra, Marc Taddei | B♭ Major | 5 | 6B | 94 BPM |