"Quent 3-M26" by Hiroki Inui had its release date on 1983. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 145 in ARMORED TROOPER VOTOMS Original Motion Picture Soundtrack Collection by TETSU, Hiroki Inui, Yoko Kawanami. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Quent 3-M26 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quent 3-M26 by Hiroki Inui is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estasi Binaurale | Non Binary | E Minor | 4 | 9A | 83 BPM | ||
| Gentle Island | Yorin Vale | A Major | 2 | 11B | 129 BPM | ||
| Sharp Lines | Wrerian | A♭ Minor | 1 | 1A | 105 BPM | ||
| Perdiendolo Casi Todo | Enigma Hermético | D♭ Major | 0 | 3B | 109 BPM | ||
| Glowing Lights | Stan Le Prevost | A Minor | 0 | 8A | 82 BPM | ||
| The End of Story | Maria Korbova, Mery Leon | E♭ Minor | 2 | 2A | 59 BPM | ||
| Salir Mal | Batallas Vencidas | D♭ Minor | 1 | 12A | 200 BPM | ||
| Il pentito #2 | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Con Enfasis | Mutua Admiración | B♭ Major | 1 | 6B | 90 BPM | ||
| The Return to Laticia | Vighnesh Maharaj Peters | A Minor | 2 | 8A | 116 BPM | ||
| perdido | estepha45 | A♭ Major | 3 | 4B | 120 BPM | ||
| Ode to a Lily | Conard Sandpiper | E♭ Major | 0 | 5B | 86 BPM | ||
| Virtuous Damsel | Lily Jimeth | A♭ Major | 2 | 4B | 52 BPM | ||
| Posibilidades | Almas Paralelas | E Minor | 3 | 9A | 75 BPM | ||
| Glade | Retrosoft | B♭ Major | 0 | 6B | 201 BPM | ||
| Tempus | Solyn | B♭ Major | 1 | 6B | 87 BPM | ||
| So Sad | Lil Keep Safe | C Major | 0 | 8B | 79 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| Gentle | Lonely Ambition | B♭ Major | 0 | 6B | 201 BPM | ||
| Oprecion | pandor | D♭ Minor | 4 | 12A | 204 BPM | ||
| Latencia Tropical | Hinevanny Belén | B♭ Major | 2 | 6B | 156 BPM | ||
| introduction | Yasuhiro Maeda | B♭ Major | 0 | 6B | 201 BPM | ||
| Syndicate 2-M54 | Hiroki Inui | A♭ Minor | 0 | 1A | 66 BPM | ||
| Necesidades Razonables | Hasta El Final | D Major | 4 | 10B | 109 BPM | ||
| Elegy of the Veiled Horizons | Arjun Tara | B♭ Major | 0 | 6B | 76 BPM |