"Non è, lasso, martire" by Cipriano de Rore, Consort Of Musicke, Anthony Rooley had its release date on March 19, 2018. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Cipriano de Rore: Il quinto libro di Madrigali (1568) by Cipriano de Rore, Consort Of Musicke, Anthony Rooley. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Non è, lasso, martire is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Non è, lasso, martire by Cipriano de Rore, Consort Of Musicke, Anthony Rooley is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Graduale: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 135 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| RitE Majorem Jacobum | Guillaume Dufay, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 86 BPM | ||
| Regina caeli: II. Resurrexit, sicut dixit | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
| Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
| Josquin: Praeter Rerum Seriem - 1. Praeter Rerum Seriem | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 106 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Sheppard: Beata nobis gaudia - 4. Patrata sunt haec mysticae | John Sheppard, The Tallis Scholars, Peter Phillips | E Minor | 1 | 9A | 79 BPM | ||
| Ancor che col partire | Riccardo Rognoni, Cipriano de Rore, Erin Headley, Andrew Lawrence-King, Nancy Hadden | A♭ Minor | 0 | 1A | 96 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| The Earle of Essex Galiard | John Dowland, Nigel North, Les Voix Humaines | E Minor | 2 | 9A | 101 BPM | ||
| Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Ich danke dir Gott | Heinrich Bach, Vox Luminis, Lionel Meunier | C Major | 2 | 8B | 109 BPM | ||
| Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM | ||
| Facultad organica: No. 18, Quarto tiento de quarto tono, FO 18 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Vaghi pensieri | Cipriano de Rore, Consort Of Musicke, Anthony Rooley | A♭ Minor | 2 | 1A | 87 BPM | ||
| Hymnus an Aton | Radoslaw Pallarz, Ensemble Memoria Tenere | G Minor | 0 | 6A | 72 BPM | ||
| Vespro della Beata Vergine, SV 206: Esurientes | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 91 BPM | ||
| Guerrero: Sabes lo que heziste | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| After Lassus: VI. Sancti mei | Tom Coult, Anna Dennis, Andrew Gourlay, BBC Philharmonic | E Minor | 0 | 9A | 113 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |