On March 14, 2024, the song "Tilak Geet Lamhar Aajuri" was released by Manish Samrat. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Tilak Geet Lamhar Aajuri's duration is considered a little bit shorter than the average duration of a typical track. Since Tilak Geet Lamhar Aajuri only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Tilak Geet Lamhar Aajuri's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tilak Geet Lamhar Aajuri by Manish Samrat having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balam Gaile Jhariya | Madan Rai | F♯ Minor | 8 | 11A | 107 BPM | ||
| Cahkey Chireya San Bauwa Hamar | Dilip Darbhangiya | B♭ Minor | 9 | 3A | 134 BPM | ||
| Ved Banun Lavalay Mala | Gokul Ambildhage | D♭ Major | 10 | 3B | 144 BPM | ||
| Yadav Ji Ke Jornma | Deepak Raj Yadav, Riya Raj | C Major | 9 | 8B | 87 BPM | ||
| Aankh Mare Babuni Dhansakka | Diwakar Dwivedi | B♭ Minor | 7 | 3A | 152 BPM | ||
| Mera Sawara Great Hai | Pyare Chauhan | G Major | 9 | 9B | 130 BPM | ||
| Raja Janak Ji Ke Baag Mein | Santosh Kumar | F♯ Major | 5 | 2B | 141 BPM | ||
| Humaar Yaar Rangdaar | Chhotu Shikari | B Minor | 9 | 10A | 108 BPM | ||
| Jab Se Earba Hath Ferle | Awadhesh Premi | F Minor | 10 | 4A | 130 BPM | ||
| Chalelu Dahariya Ta Nadi Biche | Gopal Rai | F Minor | 8 | 4A | 150 BPM | ||
| Ghatiye Swarg Lagela | Pawan Singh | F Major | 9 | 7B | 120 BPM | ||
| Ek Din Nadi Ke Teere | Vishnu Ojha | A♭ Major | 6 | 4B | 107 BPM | ||
| Guru Ravidas Ji Ke | Golu Raja | D♭ Major | 10 | 3B | 144 BPM | ||
| He Durga Hum Besahara He | Madhav Rai | F♯ Minor | 10 | 11A | 97 BPM | ||
| Barse Sawan Ke Pani | Pawan Singh | F♯ Minor | 9 | 11A | 105 BPM | ||
| Kas Tanika Rowale Hotu Pawe Khatir | Sinku Yadav | D Major | 9 | 10B | 159 BPM | ||
| Kahata Raja Ham Nihur Jayi Aauri | Guddu Rangila | D♭ Major | 10 | 3B | 81 BPM | ||
| Chhathi Maiya Deda Ago Lalna | Kalpana Patowary | A♭ Major | 5 | 4B | 158 BPM | ||
| Piya Kalkatiya | Manish Samrat | A♭ Major | 3 | 4B | 65 BPM | ||
| Det Badi Gari Maina Mahtari | Manish Samrat | E♭ Minor | 9 | 2A | 163 BPM | ||
| Baig Latka Ke Challi | Bharat Sharma Vyas | B♭ Minor | 4 | 3A | 87 BPM | ||
| Tor Ghar Sohar Na Holo | Aashish Yadav | D♭ Major | 10 | 3B | 144 BPM | ||
| Ejoriya Ke Chand | Birendra Jha | D♭ Major | 10 | 3B | 144 BPM | ||
| Holi Ke Bahar Ke Maza | Guddu Rangila | B♭ Major | 8 | 6B | 89 BPM | ||
| Hathon Pe Chada Rang Ger ki mehndi Ka | Arshad Kamli, Naim Sabri | B♭ Minor | 8 | 3A | 90 BPM |