On September 10, 1996, the song "Freestyle, Pt. 25" was released by Sway, King Tech, Born Allah. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Freestyle, Pt. 25's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wake Up Show Freestyles, Vol. 3 by Sway, King Tech. The song's track number on the album is #25 out of 31 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, Freestyle, Pt. 25's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Freestyle, Pt. 25 by Sway, King Tech, Born Allah has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Freestyle, Pt. 25 being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mister Sandman | Dickie Valentine | F♯ Major | 2 | 2B | 114 BPM | ||
| Right Where I Should Be | Us The Duo | C Major | 5 | 8B | 95 BPM | ||
| No Sad Songs for Me | George Robinson | D♭ Major | 4 | 3B | 75 BPM | ||
| Get out and Get Under the Moon | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | A♭ Major | 2 | 4B | 116 BPM | ||
| Do It Anyway | Keith Cuts | C Major | 4 | 8B | 76 BPM | ||
| Still My Waters | Sway | D♭ Minor | 5 | 12A | 105 BPM | ||
| Lullaby (Goodnight, My Angel) - 2010 Digital Remaster | Wise Guys | B♭ Major | 2 | 6B | 73 BPM | ||
| Our Love Is Here to Stay | Sway | A Minor | 2 | 8A | 88 BPM | ||
| What If I Loved You (From "Return to Me") | Joey Gian, Warren Luening | E Major | 3 | 12B | 139 BPM | ||
| At the End of the Day | Caleb Dinger | E♭ Major | 1 | 5B | 77 BPM | ||
| Leaving You | Jill Barber | E Minor | 4 | 9A | 105 BPM | ||
| Oxytocin and Other Addictions (From Neurotic Sessions) | Adelaide Jazz Project | C Major | 4 | 8B | 170 BPM | ||
| I Know a Clown When I See One | Jazmine Fontaine | D Major | 8 | 10B | 120 BPM | ||
| Brooklyn Kind Of Love | Julian Velard | C Major | 1 | 8B | 76 BPM | ||
| You Do Something to Me | Conal Fowkes | C Minor | 2 | 5A | 78 BPM | ||
| Happy Panther | Swing City | E Minor | 4 | 9A | 125 BPM | ||
| The Hills Of California | Johnny Mercer | E♭ Major | 3 | 5B | 124 BPM | ||
| Song of the Wanderer | Harry James | C Major | 4 | 8B | 123 BPM | ||
| Lost and Found | Dikheel Aldikheel | D♭ Major | 2 | 3B | 113 BPM | ||
| I Choose Happiness | David Choi | C Major | 4 | 8B | 96 BPM | ||
| Be Myself Again | Eric Benét | A Major | 4 | 11B | 125 BPM | ||
| Paris In The Rain | Sarah McKenzie | D Major | 3 | 10B | 130 BPM | ||
| La Mer | Chantal Chamberland | D Major | 3 | 10B | 120 BPM | ||
| She's Always A Woman - Bonus Track | Fyfe Dangerfield | E♭ Major | 3 | 5B | 122 BPM | ||
| When It's Sleepytime Down South | Hailey Tuck | B♭ Major | 1 | 6B | 110 BPM |