Krishnaman, Gyanu Rana's 'Mero Ram Timi' had a release date set for March 30, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Pushpanjali". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Norway. Mero Ram Timi is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mero Ram Timi by Krishnaman, Gyanu Rana having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Ram Ram Bola | Krishnaman | D♭ Major | 3 | 3B | 82 BPM | ||
| Hara Hara Shankar | Krishnaman, Ratna Man Shrestha, Bharati Upadhyaya | G Minor | 4 | 6A | 140 BPM | ||
| Buddhi Mathu Heluthini | G. V. Atri, Kasturi Shankar, Manjula Gururaj, Gem Shiv, Puttur Narasimha Nayak, Whiva Kumar Aradhya | G Major | 7 | 9B | 149 BPM | ||
| Ne Kaandibaa Ne Kaandibaa | Bhupen Hazarika | B Major | 3 | 1B | 140 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Sharanu Sharanu Jaya Durge | B.K. Sumitra | E♭ Minor | 5 | 2A | 80 BPM | ||
| Mangala Balegalu | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | B Minor | 7 | 10A | 83 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Shyama Maa Tor Charan Tole | Swaraj Roy | A Major | 3 | 11B | 63 BPM | ||
| Aaluk Myaha | Krishnaman, Tirtha Kumari Thapa | E Major | 4 | 12B | 121 BPM | ||
| Jay Datta Bola Jay Jay Datt Bola | Mahesh Hiremath, Shubhangi Joshi | G Minor | 8 | 6A | 104 BPM | ||
| Naa Donkadarenu Naama | Vidyabhushana | G Major | 7 | 9B | 169 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| O Rani Salam Baare Baare | Sabina Yasmin, Tojamel Haque Bakul | E♭ Major | 6 | 5B | 121 BPM | ||
| Oder Mato Bolbo Na Ma | Pannalal Bhattacharya | A♭ Minor | 2 | 1A | 146 BPM | ||
| Main To Sang Jaaun Banwas | Lata Mangeshkar, Bhupen Hazarika | D Major | 2 | 10B | 84 BPM | ||
| Dukedi Handumata | Sarath Dasanayake, T M Jayarathne, A. P. Sheela | A♭ Major | 6 | 4B | 93 BPM | ||
| Bhadrapada Masadali | Rajkumar | A Major | 7 | 11B | 159 BPM | ||
| Amba Bhavani Sharade | Sri Ganapathy Sachchidananda Swamiji | G Major | 7 | 9B | 115 BPM | ||
| Premobhore Monre Gaho | Mahesh Ranjan Shome | C Major | 3 | 8B | 126 BPM | ||
| Bir Senapati Vivekananda | Mahesh Ranjan Shome | G Major | 5 | 9B | 155 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM | ||
| Jananing Saradang Devi - Durga Bhajan | Mahesh Ranjan Shome | F Major | 4 | 7B | 97 BPM | ||
| Jiban Nadir Ghuripake | Gostho Gopal Das | B♭ Minor | 4 | 3A | 151 BPM |