"I’m Getting Sentimental Over You" by Tommy Dorsey Orchestra had its release date on 2004. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 81 in the song's album "Tommy Dorsey: The Complete Standard Transcriptions". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. I’m Getting Sentimental Over You is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I’m Getting Sentimental Over You by Tommy Dorsey Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Looking at You | Lee Wiley | G Minor | 1 | 6A | 73 BPM | ||
| Tenderly | Jean Paques | F Minor | 2 | 4A | 103 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Moonray | Dakota Staton | G Minor | 1 | 6A | 121 BPM | ||
| Mi Cosa - Take 1 | Wes Montgomery Trio | D♭ Minor | 0 | 12A | 98 BPM | ||
| Diane | Tommy Dorsey Orchestra | A Minor | 1 | 8A | 122 BPM | ||
| Besame Mucho | Jimmy Dorsey | G Minor | 2 | 6A | 140 BPM | ||
| Time On My Hands | Ahmad Jamal | A Minor | 1 | 8A | 62 BPM | ||
| Piano Wire on the Windowsill (Remastered by Gold'n'Groove) | Mabel King and the Jazz Cats | E♭ Major | 1 | 5B | 106 BPM | ||
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | G Minor | 1 | 6A | 73 BPM | ||
| A Faded Summer Love | Billy Eckstine | C Major | 0 | 8B | 117 BPM | ||
| Moonglow | Benny Goodman | A♭ Major | 2 | 4B | 105 BPM | ||
| I've Got To Sing A Torch Song | Helen Rowland With Ed Kirkeby Orchestra | D♭ Major | 3 | 3B | 118 BPM | ||
| Where or When | Benny Goodman Trio | E Minor | 3 | 9A | 99 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | G Minor | 1 | 6A | 73 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | G Minor | 1 | 6A | 73 BPM | ||
| Laura | Charlie Spivak & His Orchestra | A Major | 1 | 11B | 92 BPM | ||
| The Song Is Ended (But the Melody Lingers On) | Dick Haymes | F Major | 2 | 7B | 86 BPM | ||
| Stardust - Remastered 2002 | Hoagy Carmichael | D Major | 2 | 10B | 72 BPM | ||
| The Call Of The Canyon | Frank Sinatra, Tommy Dorsey Orchestra | F Major | 0 | 7B | 92 BPM | ||
| Blue Moon - 1952 Version / Mono | Oscar Peterson | F♯ Major | 2 | 2B | 94 BPM | ||
| Meant to Be | Piero Piccioni, Lydia MacDonald | A♭ Major | 3 | 4B | 125 BPM | ||
| Habanera | Members Of The Glenn Miller Orchestra | C Major | 4 | 8B | 175 BPM | ||
| New York Herald Tribune - Bande originale du film "À bout de souffle" | Martial Solal | A Minor | 2 | 8A | 94 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM |