Hyperduck Soundworks's 'Last Sanctum' had a release date set for October 11, 2012. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Last Sanctum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 37 in Dust: An Elysian Tail by Hyperduck Soundworks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Last Sanctum is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Last Sanctum by Hyperduck Soundworks is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laying Siege to Hammerburg (Noble Houses) | Breakdown Epiphanies | E Minor | 6 | 9A | 90 BPM | ||
| Through the Valleys | Jeremy Soule | C Minor | 0 | 5A | 72 BPM | ||
| Haunted Mansion Ambiance | Hyperduck Soundworks | G Major | 1 | 9B | 123 BPM | ||
| Encounter Clockwise | Harry Mack | G Minor | 3 | 6A | 97 BPM | ||
| Vision of a Lasting Flame - Piano and Orchestra | Martin O'Donnell | B♭ Minor | 1 | 3A | 85 BPM | ||
| The Hamlet | Stuart Chatwood | A Major | 3 | 11B | 74 BPM | ||
| A Dervish of a Skirmish | John Robert Matz, Christopher Garden | C Major | 4 | 8B | 127 BPM | ||
| The Glade | Hyperduck Soundworks | C Minor | 6 | 5A | 91 BPM | ||
| Letting Go | Jason Graves | C Major | 2 | 8B | 63 BPM | ||
| Pride of the Seas | Sam Cardon, David Arkenstone, World of Warcraft, Blizzard Entertainment | D Minor | 5 | 7A | 113 BPM | ||
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| Depression | Matthias Mothroni, Matthiando | B♭ Major | 1 | 6B | 101 BPM | ||
| Through the Trees | Halo, Joel Corelitz | F Major | 6 | 7B | 102 BPM | ||
| Omens in the Clouds | Brad Derrick | D Minor | 3 | 7A | 80 BPM | ||
| To The End Of The Galaxy (From Stellaris Original Game Soundtrack) - Additional Take | Andreas Waldetoft | C Minor | 3 | 5A | 90 BPM | ||
| Troll | Grant Kirkhope | D Minor | 5 | 7A | 95 BPM | ||
| The Ruin | Curtis Schweitzer | D Minor | 8 | 7A | 135 BPM | ||
| Time of Change (Vaulters Theme) | Arnaud Roy | E Minor | 3 | 9A | 128 BPM | ||
| Holding Up the Sky | Jason Hayes, Mike Patti, StarCraft, Blizzard Entertainment | A♭ Major | 6 | 4B | 150 BPM | ||
| France (The Medieval Era) | Roland Rizzo | G Major | 3 | 9B | 112 BPM | ||
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| The Gears Keep Turning | Harry Mack | G Minor | 2 | 6A | 97 BPM | ||
| Forest | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| Riding the Wind (feat. Rachel Mellis) | Gareth Coker, Rachel Mellis | E Minor | 2 | 9A | 130 BPM | ||
| King and Country | Jeremy Soule, The Elder Scrolls | F♯ Minor | 1 | 11A | 70 BPM |