Julie Andrews's ' "Jimmy" was released on its scheduled release date, January 1, 2009. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Thoroughly Modern Millie". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Jimmy is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Jimmy by Julie Andrews having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Annie: Easy Street | Charles Strouse, Dorothy Loudon, Robert Fitch, Barbara Erwin, Annie (Original Broadway Cast), Peter Howard | D Major | 4 | 10B | 113 BPM | ||
| Waiting at the Church (My Wife Won't Let Me) | Julie Andrews | C Major | 3 | 8B | 199 BPM | ||
| Grand Old Ivy | Robert Morse|Rudy Vallee | F Major | 2 | 7B | 139 BPM | ||
| A Room in Bloomsbury | Julie Andrews | B♭ Minor | 2 | 3A | 128 BPM | ||
| Montage, Part 2: Nothing | Natalie Cortez | A♭ Minor | 4 | 1A | 75 BPM | ||
| Gigi | Corey Cott | F Major | 3 | 7B | 91 BPM | ||
| 1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
| Tiller Girls | Ralph Burns | F Major | 7 | 7B | 129 BPM | ||
| What Is Love? | Kay Murphy, Top Hat: The Musical Original London Cast Recording Female Ensemble | D Major | 3 | 10B | 105 BPM | ||
| If Mama Was Married - Remastered Version | Gypsy - Ann Jillian & Natalie Wood | A♭ Major | 3 | 4B | 188 BPM | ||
| Plant a Radish | Hugh Thomas, William Larsen | D♭ Major | 3 | 3B | 100 BPM | ||
| Seventy Six Trombones | Robert Preston, Meredith Wilson, Broadway Cast | A♭ Major | 6 | 4B | 129 BPM | ||
| I Don't Care | Julie Andrews | A Major | 5 | 11B | 146 BPM | ||
| Where'er You Walk | Julie Andrews | E♭ Major | 3 | 5B | 64 BPM | ||
| Supercalifragilisticexpialidocious | The Cast of Mary Poppins | G Minor | 6 | 6A | 80 BPM | ||
| Magic to Do | Patina Miller, The Players | A Major | 6 | 11B | 125 BPM | ||
| What's The Use Of Wond'rin'? | Jessie Mueller, Renée Fleming | D♭ Major | 1 | 3B | 88 BPM | ||
| Climbing over Rocky Mountain | The Pirates Of Penzance | B♭ Major | 3 | 6B | 121 BPM | ||
| Take Me to the Fair - Guenevere and the 3 Knights | Vanessa Redgrave, Lee Herschberg | F♯ Major | 3 | 2B | 139 BPM | ||
| The Surrey with the Fringe on Top (Excerpts From "Oklahoma!") | Gordon Macrae | D Major | 1 | 10B | 79 BPM | ||
| State Fair 1945: It Might As Well Be Spring | Richard Rodgers, Oscar Hammerstein II | D Major | 1 | 10B | 85 BPM | ||
| Try to Remember | Jerry Orbach | F Major | 2 | 7B | 125 BPM | ||
| Little Girls | Carol Burnett | A♭ Minor | 2 | 1A | 101 BPM | ||
| 1776: Yours, Yours, Yours | Sherman Edwards, Virginia Vestoff, William Daniels, Peter Howard | F♯ Major | 1 | 2B | 88 BPM | ||
| Would You? | Betty Noyes | A♭ Major | 2 | 4B | 140 BPM |