George Walker, Eric Thomas, Vivian Taylor, John McDonald, Paul Freeman, David Effron, Warren Wilson's 'Five Fancies for Clarinet and Piano Four Hands: Variation II' had a release date set for October 1, 1994. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Walker, Eric Thomas, Paul Freeman, David Effron, Warren Wilson's "George Walker, A Portrait" album is number 3 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Five Fancies for Clarinet and Piano Four Hands: Variation II's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Five Fancies for Clarinet and Piano Four Hands: Variation II by George Walker, Eric Thomas, Vivian Taylor, John McDonald, Paul Freeman, David Effron, Warren Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
| Suite In Old Style: II. The Rose Garden, By Moonlight | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | D Minor | 2 | 7A | 79 BPM | ||
| Piano Sonata No. 1: III. Allegro con brio | George Walker, Steven Beck | E Major | 1 | 12B | 95 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | A Major | 1 | 11B | 93 BPM | ||
| Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | A Minor | 0 | 8A | 99 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Notturno in F Major, P. 106: III. Adagio | Michael Haydn, German Chamber Academy Neuss, Johannes Goritzki | B♭ Major | 0 | 6B | 104 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Cantata for Soprano, Tenor, Boys Choir and Chamber Orchestra: Four Verses from the 24th Psalm | George Walker, Joyce Mathis, Walter Turnbull, The Boys Choir Of Harlem, Orchestra of St. Luke's, Warren Wilson | B Minor | 2 | 10A | 114 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Major | 1 | 12B | 79 BPM | ||
| Folk Songs for Orchestra: My Lord, what a morning | Cleveland Chamber Symphony | F♯ Major | 0 | 2B | 66 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Metropolitan Opera Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 76 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Emerald and Stone (Arr. Lawson) | Brian Eno, Jon Hopkins, Leo Abrahams, Jess Gillam, Jess Gillam Ensemble | D Major | 0 | 10B | 73 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Lonely Waters, R. 28 | Ernest John Moeran, Vernon Handley, Ulster Orchestra | F♯ Major | 0 | 2B | 80 BPM | ||
| Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 181 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Violin Concerto in D Major, Op. 3, No. 1: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Minor | 0 | 7A | 96 BPM | ||
| A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 70 BPM |