gaman santhal's ' "Tamari Kami Rai Gai" was released on its scheduled release date, December 1, 2025. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Tamari Kami Rai Gai only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Tamari Kami Rai Gai's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tamari Kami Rai Gai by gaman santhal having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mayalu Momai - Original | Vipul Susra, NA | E Major | 9 | 12B | 87 BPM | ||
| Harakh Ni Heli | Rajan Kapra | A♭ Minor | 9 | 1A | 145 BPM | ||
| Tanatan | Vipul Susra | A♭ Major | 10 | 4B | 85 BPM | ||
| Aatham Nu Nived | Jayesh Kharvada, Sachin Memadpur | A♭ Major | 10 | 4B | 100 BPM | ||
| Kadu Tapku Najar Koi Ni Lagi Jase | Vishal Hapor | B♭ Major | 9 | 6B | 95 BPM | ||
| Sijadi Talavadi | Jignesh Kaviraj | A Minor | 10 | 8A | 120 BPM | ||
| Mare Noto Pivone Payore | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Premera Lago Chand | Shahin Shaikh, Dattaram | F Major | 7 | 7B | 126 BPM | ||
| Bhul Kari Me | Dilip Thakor, Hardik Rathod, Sanjay Parmar, Bhadresh Thakor | A Minor | 9 | 8A | 142 BPM | ||
| Malati Reje | Jignasha Rabari, Cd Dhonoj, Jayesh Zalasar, Ravi Mubarakpur | F♯ Major | 8 | 2B | 143 BPM | ||
| Van Ma Mahadev No Chelo | Birju Barot | A♭ Major | 9 | 4B | 172 BPM | ||
| Rona To Ranuja Javana | Vijay Jornang | A♭ Minor | 9 | 1A | 145 BPM | ||
| Lili Lili Lebadi | Jignesh Kaviraj | A♭ Major | 8 | 4B | 100 BPM | ||
| Khuli Talvar Laine Faru Bhar Bajare - Original | Vijay Suvad, Tejal Thakor | A♭ Major | 9 | 4B | 103 BPM | ||
| Mari Nakhna Parvala Jevi | Jignesh Kaviraj | A Minor | 9 | 8A | 98 BPM | ||
| Tara Vina Meldi Biju Kon Aavshe (Meldi Aai Pt.2) | Raymal Padivada | A Minor | 9 | 8A | 92 BPM | ||
| Navab | Jayesh Aal, Jayesh Kharvada | B♭ Minor | 9 | 3A | 150 BPM | ||
| Neja Vala Re | Kajal Budheliya | F♯ Major | 9 | 2B | 58 BPM | ||
| Alag Andaj Ma Halariya Pt.1 | JK Timba | E♭ Major | 8 | 5B | 54 BPM | ||
| Ramadhani Aaradh | Hitesh Prajapati | C Minor | 7 | 5A | 95 BPM | ||
| JK Timba 2025 NonStop Halariya Pt.1 | JK Timba | F Major | 8 | 7B | 97 BPM | ||
| Mara Motni Tarikho Aai Dhukdi | Gopal Thakor | C Minor | 9 | 5A | 112 BPM | ||
| Jalsa | Jaymin Dabhoda | A♭ Minor | 6 | 1A | 157 BPM | ||
| Bhai O Mara Bhari Banduk | Vipul Jogva | A♭ Major | 9 | 4B | 87 BPM | ||
| Nakhara Kare Chori Varamvar | Rohit Thakor | D Major | 8 | 10B | 114 BPM |