Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Maria Mucke, Hans Richter, Charly Wimmer's ' "Im weissen Rössl: Dialog - "Es muss was Wunderbares sein" - Dialog (Klärchen, Sigismund, Hinzelmann)" was released on its scheduled release date, January 22, 2015. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Im weissen Rössl: Dialog - "Es muss was Wunderbares sein" - Dialog (Klärchen, Sigismund, Hinzelmann) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Im weissen Rössl: Dialog - "Es muss was Wunderbares sein" - Dialog (Klärchen, Sigismund, Hinzelmann) by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Maria Mucke, Hans Richter, Charly Wimmer is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Auberge du Cheval Blanc: Duo Leopold Josepha pour etre un jour aime de toi | Ralph Benatzky, Geori Boue, Guy Fontagnere, Orchestre Rene Saint Paul, Jésus Etcheverry | E Minor | 1 | 9A | 80 BPM | ||
| Einzugsmarsch aus Der Zigeunerbaron | Menskes Chöre | B♭ Major | 6 | 6B | 113 BPM | ||
| Nachtigall-Polka, Op.222 | Johann Strauss II, Cincinnati Pops Orchestra, John Morris Russell | C Major | 2 | 8B | 115 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | A Major | 1 | 11B | 113 BPM | ||
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Der Wind hat mir ein Lied erzahlt | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 109 BPM | ||
| Wiener Praterleben (Sportpalastwalzer) | Siegfried Translateur, André Rieu, Johann Strauss Orchestra | D Major | 4 | 10B | 70 BPM | ||
| Mein Schönes Fraulein, Gute Nacht | Ralph Benatzky, Max Hansen, Vienna Theater Orchestra, Anton Paulik | F Minor | 3 | 4A | 70 BPM | ||
| Im weissen Rossl (White Horse Inn), Act II: Fruher war ich schuchtern - Und als der Herrgott Mai gemacht | Ralph Benatzky, Mathias Hausmann, Ingeborg Schöpf, Marco Jentzsch, Klaus-Dieter Lerche, Anja Katharina Wigger, Serge Falck, Ina Nadine Wagler, Albert Rueprecht, Rafael Schuchter, Gerhard Rak, Markus Puchberger, Harald Serafin, Mörbisch Festival Choir, Mor | E♭ Major | 2 | 5B | 112 BPM | ||
| Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
| Glowing Hearts | Veridia | E Major | 3 | 12B | 178 BPM | ||
| Mein Liebeslied muss ein Walzer sein | Robert Stolz, André Rieu | C Major | 5 | 8B | 78 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Trisch Trasch Polka | Wiener Symphoniker | A Major | 6 | 11B | 80 BPM | ||
| Tyrolean Woodcutters' March | Josef Franz Wagner, Budapest Strauss Ensemble, Istvan Bogar | C Major | 3 | 8B | 118 BPM | ||
| Pizzicato-Polka, Op. 449 | Johann Strauss II & Josef Strauss, Neeme Järvi, Estonian National Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
| Lili Marleen | Will Glahé | C Major | 1 | 8B | 105 BPM | ||
| The White Horse Inn (from "The White Horse Inn") | Robert Stolz, Ralph Benatzky, Robert Gilbert, Walter Reisch, Armin Robinson, Bruno Granichstaedten, William Lewis, Lehman Engel & Chorus, Lehman Engel Orchestra | F Major | 3 | 7B | 102 BPM | ||
| Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 2 | 10B | 82 BPM | ||
| Ich weiss es wird einmal ein Wunder gescheh'n | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | E Major | 3 | 12B | 93 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM |