末永匡's '「荒ぶる邂逅~巨像との戦い~」~「甦る力~巨像との戦い~」(メドレー)' had a release date set for March 9, 2019. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Music 4Gamer #2 「ワンダと巨像」ピアノ&オーケストラコンサート" album is number 2 out of 14. On top of that, Japan appears to be the country where this track was created. Based on our statistics, 「荒ぶる邂逅~巨像との戦い~」~「甦る力~巨像との戦い~」(メドレー)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 「荒ぶる邂逅~巨像との戦い~」~「甦る力~巨像との戦い~」(メドレー) by 末永匡 to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nicole’s Theme (Solo Piano) | Trevor Gureckis | A♭ Minor | 1 | 1A | 143 BPM | ||
| Overture: Lore - 2023 Remaster | Takeshi Furukawa | C Major | 0 | 8B | 82 BPM | ||
| The Quarantine Zone (20 Years Later) | Gustavo Santaolalla | C Minor | 1 | 5A | 115 BPM | ||
| Spark | Alexey Nechaev | F♯ Major | 0 | 2B | 140 BPM | ||
| Maiden Astraea | SIE Sound Team | E Minor | 4 | 9A | 117 BPM | ||
| 科学研究所 - 生演奏バージョン | 西浦智仁 | D Major | 2 | 10B | 156 BPM | ||
| Road of Trials | Austin Wintory, London Symphony Orchestra | A♭ Minor | 8 | 1A | 85 BPM | ||
| Champion Cynthia (From "Pokémon Diamond & Pearl") | DS Music | B Minor | 4 | 10A | 95 BPM | ||
| Limgrave | Tsukasa Saitoh | D♭ Minor | 6 | 12A | 119 BPM | ||
| Dirtmouth | Christopher Larkin | E Minor | 1 | 9A | 171 BPM | ||
| Battle With the Champ | Clark Aboud | A♭ Major | 3 | 4B | 138 BPM | ||
| The First Hunter | SIE Sound Team | D Minor | 4 | 7A | 79 BPM | ||
| 「背後からの使者~巨像との戦い~」~「反撃~巨像との戦い~」~「鳥葬」~「放たれた番人~巨像との戦い~」~「絶望との別れ~巨像との戦い~」~「駿馬」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 6 | 8A | 74 BPM | ||
| Calling To The Night - Piano Ver. | Shinya Kiyozuka | F Minor | 1 | 4A | 69 BPM | ||
| Valkyries | Bear McCreary | A Minor | 4 | 8A | 144 BPM | ||
| Prelude in D-Flat Major | Chris Christodoulou | D♭ Major | 0 | 3B | 62 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| The Grey Crow | David Fenn | F♯ Minor | 5 | 11A | 160 BPM | ||
| Premonition | Yuka Kitamura | C Minor | 1 | 5A | 78 BPM | ||
| Primordial Chaos | Darren Korb | D♭ Major | 5 | 3B | 58 BPM | ||
| Dance of Pearls | Castlevania Sound Team | F Minor | 4 | 4A | 162 BPM | ||
| Blood-starved Beast | SIE Sound Team | A Minor | 7 | 8A | 150 BPM | ||
| Isolation | Zander Hulme | A Minor | 1 | 8A | 133 BPM | ||
| 「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
| Main Theme (From "The Legend of Zelda: Breath of the Wild") | Franco Albertini | D♭ Major | 1 | 3B | 108 BPM |