Andrea Centazzo's 'Double #12' had a release date set for December 14, 2010. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 30 in Double by Andrea Centazzo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Double #12 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Double #12 by Andrea Centazzo is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wave vii | Knockoutsound4you | D♭ Major | 1 | 3B | 70 BPM | ||
| Moruzzo '74 | Andrea Centazzo, Maurizio Giammarco | F Minor | 4 | 4A | 89 BPM | ||
| Stone Circle | Christina Vantzou, John Also Bennett, JAB | E♭ Major | 1 | 5B | 134 BPM | ||
| Cangri | Harachiko | D♭ Major | 1 | 3B | 70 BPM | ||
| K’s Perspective | Marihiko Hara | B Minor | 4 | 10A | 140 BPM | ||
| Rattling | Andrea Centazzo | F Major | 4 | 7B | 120 BPM | ||
| El Tiempo Tiene | Bryan El Desconocido | D♭ Major | 1 | 3B | 70 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | D♭ Major | 1 | 3B | 70 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Piano & Violoncello 27 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 138 BPM | ||
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Runaway | Deepflow | B♭ Minor | 7 | 3A | 189 BPM | ||
| unfinished fugue | Lawliet, Azula | E Minor | 0 | 9A | 118 BPM | ||
| Mere Mortals | Ahmed Alabaca, Caitlin Edwards, Daniel Schlosberg | C Major | 2 | 8B | 82 BPM | ||
| Mystery Man | Roberto Ottaviano, Andrea Centazzo | D♭ Major | 7 | 3B | 68 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D♭ Major | 1 | 3B | 70 BPM | ||
| Prepared Piano Prepared | R.Kuhn, Rüdiger Edgar Kuhn | B♭ Minor | 2 | 3A | 99 BPM | ||
| Hymns, Prayers and Rituals, 3th Series: XII. The Story of Resurrection of Christ | G. I. Gurdjieff, Thomas de Hartmann, Mario Sollazzo | A Minor | 0 | 8A | 135 BPM | ||
| Seeing You in the Rain | Stan Le Prevost | C Major | 0 | 8B | 51 BPM | ||
| Church Music #1 | John Fisher, Martin Joseph, Eugenio Colombo, Alvin Curran, Melvin Poore, Franz Koglmann, Tony Oxley, Lol Coxhill, Andrea Centazzo, Giancarlo Schiaffini, Theo Jörgensmann, Lester Bowie, Evan Parker | A♭ Major | 0 | 4B | 87 BPM | ||
| Escape #6 | Don Preston, Andrea Centazzo | A♭ Major | 4 | 4B | 98 BPM | ||
| Dos extraños | KJMV9 | B Major | 1 | 1B | 174 BPM | ||
| Part VII: Haunting Echoes | Claude Pendereich | D Minor | 2 | 7A | 91 BPM | ||
| Relaxing Piano Music, Pt. 87 - Romantic, Episode 14 | Tomasz Trzcinski | C Major | 0 | 8B | 73 BPM | ||
| Hildegund | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM |