Roy Eldridge's ' "Flip And Jazz" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Flip And Jazz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "The Nifty Cat". In this album, this song's track order is #16. Flip And Jazz is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flip And Jazz by Roy Eldridge having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Note Boogie | James P. Johnson | D♭ Major | 3 | 3B | 105 BPM | ||
| Harlem Shout | Jimmie Lunceford | D Major | 5 | 10B | 106 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM | ||
| Ida (Sweet as Apple Cider) | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 5 | 5B | 124 BPM | ||
| Don't Blame Me | Sonny Criss | A♭ Major | 6 | 4B | 125 BPM | ||
| Drop Me off in Harlem | Charlie Barnet | A♭ Major | 6 | 4B | 125 BPM | ||
| King Porter Stomp | Fletcher Henderson & His Orchestra | D♭ Major | 5 | 3B | 107 BPM | ||
| Lucien's Blues | Lucien Barbarin, Henri Chaix Trio | B♭ Major | 3 | 6B | 146 BPM | ||
| I'm Left with the Blues in My Heart - Digitally remastered | Art Tatum, Benny Carter | A♭ Major | 6 | 4B | 125 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 2 | 3B | 148 BPM | ||
| Till Tom Special | Charlie Christian | F Major | 3 | 7B | 179 BPM | ||
| Lunceford Special | Jimmie Lunceford | A♭ Major | 6 | 4B | 125 BPM | ||
| Back Room Romp | Rex Stewart & His 52nd St. Stompers | A♭ Major | 3 | 4B | 153 BPM | ||
| Two Kinds of Blues | Jimmy Giuffre | G Major | 0 | 9B | 109 BPM | ||
| That's What You Call Romance (02-17-38) | Slim Gaillard | C Major | 1 | 8B | 108 BPM | ||
| The Grabtown Grapple | Artie Shaw, Buster Harding, Artie Shaw & his Gramercy Five | C Minor | 6 | 5A | 94 BPM | ||
| Ain't Misbehavin' | James P. Johnson | A♭ Major | 6 | 4B | 125 BPM | ||
| Blue Devil Jump | Jay McShann | G Minor | 3 | 6A | 107 BPM | ||
| For Dancers Only | Jimmie Lunceford | C Minor | 3 | 5A | 154 BPM | ||
| Come On Over To My House | Julia Lee And Her Boyfriends | E Minor | 2 | 9A | 139 BPM | ||
| Harlem Shout | Jimmie Lunceford & His Orchestra | C Minor | 4 | 5A | 109 BPM | ||
| Dinah | Preservation Hall Hot 4 with Duke Dejan | A♭ Major | 2 | 4B | 67 BPM | ||
| Frozen Toes Boogie | Miltons soul | D♭ Major | 3 | 3B | 119 BPM | ||
| Bud's Bubble - 1990 Remaster | Bud Powell Trio | F Minor | 3 | 4A | 137 BPM |