George Frideric Handel, English Baroque Soloists, John Eliot Gardiner's ' "Concerto a due cori No. 3, HWV 334: 5. Allegro" was released on its scheduled release date, January 1, 1984. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, John Eliot Gardiner, English Baroque Soloists's "Handel: Music for the Royal Fireworks; Concerti a due cori" album is number 11 out of 16. On top of that, Netherlands appears to be the country where this track was created. The popularity of Concerto a due cori No. 3, HWV 334: 5. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto a due cori No. 3, HWV 334: 5. Allegro by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
| Symphony No. 102 in B-Flat Major, Hob.I:102: I. Largo - Allegro vivace | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | B♭ Major | 2 | 6B | 109 BPM | ||
| San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
| Musique de table, Pt. I, Overture (Suite) in E Minor, TWV 55:E1: III. Rondeau | Georg Philipp Telemann, Orchestra of the Golden Age | F♯ Major | 0 | 2B | 150 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": III. Adagio | Arcangelo Corelli, I Musici | F Major | 2 | 7B | 88 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 148 BPM | ||
| Symphony in F Major, Op. 2 No. 6 "Solomon": II. Larghetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 113 BPM | ||
| Vivaldi: Sinfonia in B Minor, RV 169 "Al santo Sepolcro": II. Allegro, ma poco | Antonio Vivaldi, Jaap Schröder, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Oboe Concerto No. 1 in C Major: Allegro | Carlo Besozzi, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 2 | 8B | 120 BPM | ||
| Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 91 BPM | ||
| Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: IV. Menuet I & II | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 2 | 6B | 108 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 0 | 2B | 174 BPM | ||
| Suite for Orchestra No. 1 in C Major, BWV 1066: Courante | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | A♭ Major | 3 | 4B | 114 BPM | ||
| Concerto for Strings and Continuo in C minor, RV 118: 3. Allegro | Antonio Vivaldi, I Musici | C Minor | 5 | 5A | 124 BPM | ||
| Thesée: Trio pour les habitants de l'isle enchantée | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | A Minor | 1 | 8A | 88 BPM | ||
| Symphony in F Major, Op. 2 No. 4 "Shepherd's Lottery": III. Gavot. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 97 BPM | ||
| Symphony in A Major, Op. 1, No. 3 (Callen 3): III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 0 | 11B | 105 BPM | ||
| Symphony in F Major, Op. 2 No. 4 "Shepherd's Lottery": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 129 BPM | ||
| Amadigi, HWV 11: Crudel tu non farai | George Frideric Handel, Randall Scotting, Academy of Ancient Music, Mary Bevan, Laurence Cummings | F♯ Minor | 0 | 11A | 78 BPM | ||
| Fading Light | Orithia | D♭ Major | 5 | 3B | 195 BPM | ||
| Concerto a due cori No. 2, HWV 333: II. Allegro | George Frideric Handel, Hedwig Bilgram, English Chamber Orchestra, Karl Richter | G Minor | 3 | 6A | 110 BPM |