On March 10, 2009, the song "Monday Afternoon" was released by Philippe Saisse. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 6 out of 12 in At World's Edge by Philippe Saisse. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Monday Afternoon's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Monday Afternoon by Philippe Saisse is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Weekend | Nicholas Cole | G Minor | 6 | 6A | 192 BPM | ||
| Ashes to Ashes | Joe Sample | B♭ Minor | 6 | 3A | 121 BPM | ||
| Wes Who? | Count Basic | A Minor | 8 | 8A | 90 BPM | ||
| 'Til We're Together Again | Russ Freeman & The Rippingtons, Tony Morales, Kim Stone | A Minor | 8 | 8A | 146 BPM | ||
| She Knows What She Wants | Thom Rotella | F♯ Major | 8 | 2B | 140 BPM | ||
| Heart's Horizon | Byron Miller | E Minor | 5 | 9A | 94 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| All's Well | Spontaneous Groovin' Combustion, Brendan Rothwell | C Major | 8 | 8B | 105 BPM | ||
| Vol de Nuit | Philippe Saisse | D♭ Major | 8 | 3B | 167 BPM | ||
| In the VIP | Soul Ballet | B Minor | 9 | 10A | 107 BPM | ||
| Save Your Money | Do Swing, David Sanborn, Cesar Camargo Mariano, Romero Lubambo, Phil Woods, Ron Carter, Philippe Saisse, Roland Hannah, East 4th Horns | C Major | 8 | 8B | 114 BPM | ||
| Comin At Cha | Walter Beasley | F♯ Minor | 5 | 11A | 93 BPM | ||
| Chain Reaction | Joe Sample | D♭ Major | 5 | 3B | 102 BPM | ||
| Flute Æterna - Radio Version - Standard | Philippe Saisse, Dave Valentin | A♭ Major | 8 | 4B | 113 BPM | ||
| Keepin' It Real | Joe McBride | G Major | 8 | 9B | 102 BPM | ||
| Minute By Minute | Kim Pensyl | G Major | 5 | 9B | 104 BPM | ||
| Bittersweet | Jazz Holdouts | C Major | 5 | 8B | 128 BPM | ||
| 70x7 (feat. Frank McComb) | James 'PJ' Spraggins, Frank Mccomb | D♭ Major | 6 | 3B | 105 BPM | ||
| Honey Grove Lane | Brian Clay | F Minor | 8 | 4A | 95 BPM | ||
| The Stranger | Rick Braun/Richard Elliot | B♭ Minor | 7 | 3A | 92 BPM | ||
| Passion Play | Andy Snitzer | B Minor | 5 | 10A | 138 BPM | ||
| Road to Monterey | Threestyle | A Minor | 6 | 8A | 96 BPM | ||
| Once Again | Brian Hughes | F Major | 6 | 7B | 142 BPM | ||
| 60 Miles | Sean U | B♭ Minor | 8 | 3A | 96 BPM | ||
| Minds Alike | Philippe Saisse | A Minor | 7 | 8A | 96 BPM |