Rekha Rathod's ' "Hu Re Vijogan Maro Piyu Pardesh" was released on its scheduled release date, February 28, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Parevda Jaje Piyuna Desh". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Hu Re Vijogan Maro Piyu Pardesh is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Hu Re Vijogan Maro Piyu Pardesh by Rekha Rathod having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Swastika Mishra | D♭ Major | 9 | 3B | 133 BPM | ||
| He Gurudev Pranam Aapke Charno Me | Sikha Mathur | A Minor | 8 | 8A | 150 BPM | ||
| BAGAD WALA RANA - Freestyle | Jai Goga Jaharveer Ji | A♭ Major | 7 | 4B | 81 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Morlo Udiyo Re Vishwakarma | Hamir Gadhvi, Rekha Rathod, Uday Gadhvi | E♭ Minor | 6 | 2A | 148 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Teeno Lokan Se Nyari | Rajendra Vyas | D♭ Minor | 9 | 12A | 172 BPM | ||
| Maiya Tere Dar Pe | Shri Prakash Gossai | A Major | 6 | 11B | 164 BPM | ||
| Taari Chaal To Kamaal Chhe | Praful Dave, Rekha Rathod | F♯ Major | 7 | 2B | 109 BPM | ||
| Shrinathji Sharanam Mamah | Asif Jeriya, Minakshi Vadher | F Major | 4 | 7B | 79 BPM | ||
| Mandav Ropya Ruda Mandav Ropya | Hamir Gadhvi, Rekha Rathod | A Minor | 10 | 8A | 70 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Kiti Tukade Tukade | Yuvraj Pradhan | A♭ Minor | 6 | 1A | 90 BPM | ||
| Bolya Bolya Nandanvan Na Mor | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Japiye Tara Jaap Shakrti ( Chand ) | Hamir Gadhvi, Rekha Rathod, Deval Bharvad | C Major | 7 | 8B | 90 BPM | ||
| Dhin Dhin Bhag Lohat Ghar Aaya - Jambheshwar Bhajan | Swami Ramacharya Maharaj | C Major | 9 | 8B | 113 BPM | ||
| Mujhe Charno Se Laga Le O Shyam Murliwale | Asif Jeriya | F Major | 6 | 7B | 148 BPM | ||
| Nirmohiya Balam | Madan Rai | A♭ Major | 7 | 4B | 158 BPM | ||
| Tu Satya Ki Jyot Jaga Ley | Bhagat Ramniwas Ji | A♭ Major | 6 | 4B | 133 BPM | ||
| Pahelu Pahelu Mangaliyu Vartay | Gagan Jethva, Rekha Rathod | G Major | 7 | 9B | 170 BPM | ||
| Prem Chinhela Na Aadmi Kawan Jaat Ha | Karina Pandey, Sovita Pandey | A♭ Minor | 6 | 1A | 91 BPM | ||
| Joma Joma Ghunghatvalire | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Keti Hu Tane Kadi Nai Re Chhodu | Jignesh Barot | E Minor | 9 | 9A | 59 BPM | ||
| Jay Khodiyar Maa Aatabhai Gohil Galdhara Maa Khodiyar Na Darshane Jay Chhe - Khodiyar Maa Ni Varta | Shantilal Vataliya, Rekha Rathod | C Minor | 3 | 5A | 172 BPM | ||
| Kurban Kyun Na Jaun Darbar | Baldev Krishna (Jagadhari Wale) | E♭ Minor | 8 | 2A | 115 BPM |