Chris Assaad's 'Better With You' had a release date set for March 5, 2012. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Chris Assaad's "Into the Light" album is number 1 out of 6. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Better With You's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Better With You by Chris Assaad to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Half Life Me | Matt Shenk | A♭ Major | 3 | 4B | 150 BPM | ||
| Reluctantly Dragged Forward | Gus Thompson | A♭ Major | 3 | 4B | 150 BPM | ||
| Where Do I Belong | Mike Rauss | D♭ Major | 3 | 3B | 100 BPM | ||
| Waiting In The Wings | Valley House | C Major | 3 | 8B | 138 BPM | ||
| Self-Medicated | Brandon Whyde | E♭ Minor | 2 | 2A | 112 BPM | ||
| All We'll Ever Be | Monotronic | A♭ Major | 3 | 4B | 150 BPM | ||
| Promised Land | Zaccareo | A Major | 2 | 11B | 114 BPM | ||
| The One Who Stays | Finnegan Moss | F♯ Major | 2 | 2B | 75 BPM | ||
| Oh How Lucky | Mike Maimone | A♭ Major | 3 | 4B | 150 BPM | ||
| Pain | Chris Assaad | F Major | 3 | 7B | 158 BPM | ||
| These Are the Days | Alexander Wolfe | A♭ Major | 3 | 4B | 150 BPM | ||
| When the Snow Falls | Steinar Ytrehus | F♯ Minor | 3 | 11A | 120 BPM | ||
| Whiskey Memories | Whiskey Blues | G Minor | 3 | 6A | 124 BPM | ||
| Echoes of What We Couldn’t Say | CAELIS BABYLON | E Minor | 4 | 9A | 115 BPM | ||
| Even When We Are Ghosts | Rob Riccardo | B Major | 1 | 1B | 96 BPM | ||
| Against the Wind | Frank Viele | A♭ Major | 3 | 4B | 150 BPM | ||
| When Love Goes Blind | Bryan Elijah Smith | A Major | 3 | 11B | 93 BPM | ||
| Trying Not to Fall Apart | Whiskey Blues | A♭ Major | 3 | 4B | 150 BPM | ||
| All The Colors - Acoustic Version | Riverland Collective, Adam McDonough | F♯ Major | 3 | 2B | 146 BPM | ||
| Last Breath | Chris Assaad | A♭ Major | 3 | 4B | 150 BPM | ||
| You are in me (live) | Netanel Goldberg | F Major | 1 | 7B | 80 BPM | ||
| Warm Breeze | Samuel J, Max Ribner | E Minor | 3 | 9A | 136 BPM | ||
| The World on Mute | Gentleman Dark Blue | A♭ Major | 3 | 4B | 150 BPM | ||
| She Came Back to Me | True Roots Blues | G Minor | 2 | 6A | 155 BPM | ||
| St Mary’s | Tyler Sjöström | G Major | 3 | 9B | 80 BPM |