Richard Hayman, Ray Bauduc, Bob Haggart, Cincinnati Pops Orchestra, Erich Kunzel's 'March Medley: Strike Up the Band - 76 Trombones - South Rampart Street Parade (Arr. R. Hayman)' had a release date set for March 1, 1987. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Pomp & Pizazz". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, March Medley: Strike Up the Band - 76 Trombones - South Rampart Street Parade (Arr. R. Hayman)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With March Medley: Strike Up the Band - 76 Trombones - South Rampart Street Parade (Arr. R. Hayman) by Richard Hayman, Ray Bauduc, Bob Haggart, Cincinnati Pops Orchestra, Erich Kunzel having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Australia (The Atomic Era) | Geoff Knorr, Phill Boucher | D Major | 4 | 10B | 120 BPM | ||
| Concerning Hobbits | Howard Shore | D Major | 1 | 10B | 104 BPM | ||
| Bugler's Holiday (Arr. R. Hayman) | Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman | A Major | 2 | 11B | 112 BPM | ||
| Waterloo: Andante eroico - Tempo di Valzer - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | C Major | 2 | 8B | 67 BPM | ||
| The Dam Busters March | Eric Coates, Central Band Of The Royal Air Force | C Major | 3 | 8B | 135 BPM | ||
| No Following | Michael Kamen | A Minor | 1 | 8A | 87 BPM | ||
| Murder| She Wrote (From "Murder| She Wrote") | Daniel Caine Orchestra | C Major | 3 | 8B | 113 BPM | ||
| Eileen: The Irish Have a Great Day Tonight | Victor Herbert, Richard Hayman Orchestra, Richard Hayman | C Major | 2 | 8B | 134 BPM | ||
| Sheep To The Horizon | Joel McNeely | G Major | 3 | 9B | 115 BPM | ||
| Opening Titles - From How the West Was Won 1962 | Alfred Newman | D Major | 7 | 10B | 120 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| The Sundance Kid - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E Minor | 2 | 9A | 118 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
| Building the Crate Suite from "Chicken Run" | John Powell | E♭ Major | 1 | 5B | 97 BPM | ||
| El Puente Sobre El Rio Kwai - BSO | Malcolm Arnold, Inma Shara | B♭ Major | 4 | 6B | 114 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| Fargo | Carter Burwell | E Minor | 1 | 9A | 85 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Pinocchio: When You Wish Upon A Star (arr. R. Hayman): When You Wish Upon A Star | Leigh Harline, Richard Hayman, Richard Hayman Symphony Orchestra | F Major | 1 | 7B | 134 BPM | ||
| Reunion - Born Free | John Barry | F Major | 1 | 7B | 78 BPM | ||
| The Shawshank Redemption | Thomas Newman | B♭ Major | 1 | 6B | 71 BPM | ||
| Carmen, WD 31: Prelude to Act 1 | Georges Bizet, Staatskapelle Dresden, Silvio Varviso | F Major | 4 | 7B | 128 BPM | ||
| Theme (From "The Pink Panther") | Royal Liverpool Philharmonic Orchestra, Carl Davis | F Major | 2 | 7B | 118 BPM | ||
| Fire Up The Bun-Vac | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | G Major | 2 | 9B | 65 BPM | ||
| River Kwai March | Das grosse Klassik-Orchester mit Franz Sychel | G Minor | 5 | 6A | 116 BPM |