- BPM
- 175
- Key
- C Major
- Camelot
- 8B
Prince Igor, Act II: "Polovtsian Dances" (Adage) by Alexander Borodin, Charles Mathews Song Details
On May 2, 2018, the song "Prince Igor, Act II: "Polovtsian Dances" (Adage)" was released by Alexander Borodin, Charles Mathews. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Prince Igor, Act II: "Polovtsian Dances" (Adage)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Mathews's "Music for Ballet Classes, Vol. 1" album is number 12 out of 31. On top of that, United States appears to be the country where this track was created. The popularity of Prince Igor, Act II: "Polovtsian Dances" (Adage) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of Prince Igor, Act II: "Polovtsian Dances" (Adage) by Alexander Borodin, Charles Mathews to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -13.387 dB
- Acousticness
- 92%
- Danceability
- 51%
- Energy
- 47%
- Instrumentalness
- 57%
- Liveness
- 8%
- Loudness
- 78%
- Speechiness
- 10%
- Valence
- 87%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | |
 | Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | |
 | String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | |
 | Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | C Major | 0 | 8B | 71 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
 | Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | |
 | Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | |
 | Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | |
 | The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | |
 | 3 Small Tone Poems: No. 3, Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 89 BPM | |
 | Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | |
 | 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | |
 | Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM |
- ISRC
- usdy41850396
- Label
- L-M Records/RCA Records