"「椿姫」第1幕への前奏曲" by ローマ聖チェチーリア音楽院管弦楽団 had its release date on June 23, 2021. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in エッセンシャル・クラシックシリーズ オペラ序曲集, so we believe that "「椿姫」第1幕への前奏曲" is a single. Based on our statistics, 「椿姫」第1幕への前奏曲's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「椿姫」第1幕への前奏曲 by ローマ聖チェチーリア音楽院管弦楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dicitencello vuie (Orch. L. Logi) | Rodolfo Falvo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 139 BPM | ||
| Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | A Major | 2 | 11B | 115 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Carmen: L'amour est un oiseau rebelle | Maria Callas | E Major | 3 | 12B | 125 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 2 | 7B | 85 BPM | ||
| Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 86 BPM | ||
| Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
| At The Opera ("Faust" Opera) | Elmer Bernstein, C. F. Gounod | D♭ Major | 2 | 3B | 170 BPM | ||
| Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, Il Re, Aida, Schiave, Popolo, Ramfis, Sacerdoti, Prigionieri) | Giuseppe Verdi, Riccardo Muti | F Major | 5 | 7B | 67 BPM | ||
| Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | ||
| Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM | ||
| Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
| Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version | Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | F♯ Major | 2 | 2B | 87 BPM | ||
| verdi: Aida, Act 3: "Vieni d'Iside al tempio" (Ramfis, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 169 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
| ヴェルディ:『アイーダ』-清き、アイーダ | マリオ・デル・モナコ, ローマ聖チェチーリア音楽院管弦楽団 | B♭ Minor | 2 | 3A | 85 BPM | ||
| Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Casta Diva, a Belloa Me Ritono | Maria Callas | F Major | 1 | 7B | 76 BPM | ||
| 交響詩《ローマの祭り》-チルチェンセス | ローマ聖チェチーリア音楽院管弦楽団 | F Major | 2 | 7B | 119 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| Delibes: Lakmé, Act 1: "C'est le dieu de la jeunesse" (Lakmé, Gérald) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Charles Burles, Orchestre du Theatre National de IOpera-Comique | D♭ Major | 2 | 3B | 73 BPM |