John Powell's 'Make Up Kisses' had a release date set for January 1, 2008. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "P.S. I Love You". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Make Up Kisses's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Make Up Kisses by John Powell having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meet Bolt - Score | John Powell | G Major | 1 | 9B | 76 BPM | ||
| Courage and Kindness | Patrick Doyle | G Major | 0 | 9B | 80 BPM | ||
| A Fraser Officer Survived | Bear McCreary | D Minor | 2 | 7A | 77 BPM | ||
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| Will's Pain | Craig Armstrong | C Major | 1 | 8B | 158 BPM | ||
| Notification | Pinar Toprak | D♭ Major | 6 | 3B | 125 BPM | ||
| Love Theme | John Powell | E Major | 0 | 12B | 69 BPM | ||
| The Longest Ride | Mark Isham | E Major | 0 | 12B | 107 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Am I Dead? | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| Invictus Theme | Kyle Eastwood, Michael Stevens | A♭ Minor | 1 | 1A | 92 BPM | ||
| Funeral For A Tree | John Powell | D Major | 3 | 10B | 122 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| Band Of Brothers Suite Two - Instrumental | Michael Kamen, London Metropolitan Orchestra | E♭ Major | 3 | 5B | 80 BPM | ||
| Where's Hiccup? | John Powell | G Major | 1 | 9B | 83 BPM | ||
| A Leap Year Promise | Randy Edelman | C Major | 2 | 8B | 76 BPM | ||
| The Fountain Scene - The Terminal/Soundtrack Version | John Williams | F♯ Major | 0 | 2B | 63 BPM | ||
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| Austria (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, John Anderson, Dave Lee, Maire Brennan, Zoe Kamen, Julie Andrews | B♭ Major | 1 | 6B | 86 BPM | ||
| The Wicked Flee | Carter Burwell | G Major | 0 | 9B | 116 BPM | ||
| Plus Que Ma Prope Vie | Carter Burwell | C Minor | 1 | 5A | 74 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| A Golden Childhood | Patrick Doyle | G Major | 1 | 9B | 87 BPM |