Third Day's 'Gone' had a release date set for October 18, 2010. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Third Day's "Move" album is number 7 out of 12. The popularity of Gone is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gone by Third Day to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chop Chop | Burlap To Cashmere | G Major | 8 | 9B | 166 BPM | ||
| Broken People | Jonny Diaz | F Major | 6 | 7B | 92 BPM | ||
| End of Me | As We Ascend, Zach Myers | F Major | 8 | 7B | 140 BPM | ||
| Come On Back to Me | Third Day | B Major | 9 | 1B | 101 BPM | ||
| Psalm 112 | 4Him | D Major | 7 | 10B | 94 BPM | ||
| Pour Me Out - Them Album Version | PFR | A Minor | 9 | 8A | 150 BPM | ||
| Nerve Damage | Lifehouse | A Major | 8 | 11B | 75 BPM | ||
| Blind Man Deaf Boy - Great Lengths Album Version | PFR | A Major | 8 | 11B | 106 BPM | ||
| Strangely Normal - Watching Over You Album Version | Phil Joel | A Major | 9 | 11B | 100 BPM | ||
| Rise | Danny Gokey | A♭ Major | 8 | 4B | 160 BPM | ||
| Two Sets of Jones' | Big Tent Revival | E♭ Major | 4 | 5B | 173 BPM | ||
| I Am New | Jason Gray | D Major | 7 | 10B | 165 BPM | ||
| Freefall | Royal Tailor | G Minor | 8 | 6A | 160 BPM | ||
| All In Your Head | Peter Furler | F Major | 8 | 7B | 150 BPM | ||
| Altars (Burn In Me) - Empty Album Version | Tait | G Major | 8 | 9B | 116 BPM | ||
| Made For You | Building 429 | F Major | 9 | 7B | 135 BPM | ||
| We Delight | Caedmon's Call | F Major | 5 | 7B | 81 BPM | ||
| When The Light | Day Of Fire | D Minor | 9 | 7A | 130 BPM | ||
| Let It Show | John Schlitt | B Minor | 9 | 10A | 206 BPM | ||
| Take Up Your Cross | Guardian | A♭ Major | 10 | 4B | 130 BPM | ||
| Free to Live (The Jetlag Sessions) | Carrollton | D♭ Major | 9 | 3B | 172 BPM | ||
| Why Should The Devil (Have All The Good Music) - Evolution Album Version | Geoff Moore & The Distance | A Major | 9 | 11B | 168 BPM | ||
| Alibi - Empty Album Version | Tait | D♭ Major | 9 | 3B | 135 BPM | ||
| Jumpstart Your Electric Heart! | Kevin Max | A Major | 9 | 11B | 127 BPM | ||
| Commodity | Remedy Drive | C Major | 9 | 8B | 145 BPM |