- BPM
- 85
- Key
- A Minor
- Camelot
- 8A
Toccata II by Bernardo Pasquini, Rinaldo Alessandrini Song Details
Bernardo Pasquini, Rinaldo Alessandrini's ' "Toccata II" was released on its scheduled release date, April 1, 1991. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Toccata II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #10. Toccata II is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Toccata II by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.348 dB
- Acousticness
- 90%
- Danceability
- 27%
- Energy
- 53%
- Instrumentalness
- 72%
- Liveness
- 33%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 46%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | B♭ Minor | 1 | 3A | 82 BPM | |
 | Che gare, che contese? (Live) | Bernardo Pasquini, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | A Minor | 3 | 8A | 73 BPM | |
 | Mystery Sonata No. 10 "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 1 | 2A | 117 BPM | |
| Pantan (Live) | Bernardo Pasquini, Arianna Vendittelli, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | |
 | Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | |
 | Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | |
 | III. O teurʼ und werte Wortʼ! | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | |
 | Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | |
 | Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | |
 | Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | |
 | Sonata No. 1 in F Major, Op. 1: III. Adagio | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Major | 0 | 5B | 67 BPM | |
 | Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | |
 | Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | |
| Quanto, o caro german, gioisce Irene (Live) | Bernardo Pasquini, Arianna Vendittelli, Margherita Maria Sala, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | |
 | Les Indes Galantes - Chaconne | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 119 BPM | |
 | Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 113 BPM | |
 | Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | |
 | Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | |
 | Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | |
 | Concerto No. 11 in D Minor, RV 565: II. Adagio e spiccato – Allegro – Adagio | Antonio Vivaldi, Federico Guglielmo, L'Arte dell' Arco | D Major | 3 | 10B | 134 BPM | |
 | Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | |
 | Violin Concerto in A Major, TWV 51:A4 "Die Relinge": II. Adagio | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 97 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records