Lata Mangeshkar's ' "O Mata Bhavani" was released on its scheduled release date, April 15, 1977. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajesh Roshan, Majrooh Sultanpuri's "Jay Vejay" album is number 6 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, O Mata Bhavani's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of O Mata Bhavani by Lata Mangeshkar to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naina Barse Rimjhim Rimjhim | Lata Mangeshkar | B♭ Minor | 4 | 3A | 140 BPM | ||
| Sathi Mere Sathi | Suman Kalyanpur | B♭ Minor | 5 | 3A | 103 BPM | ||
| Aane Se Uske Aaye Bahar | Mohammed Rafi, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 95 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Ab Ke Sajan Sawan Mein | Lata Mangeshkar | C Major | 6 | 8B | 100 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Mera Piya Ghar Aaya | Kavita Krishnamurthy | G Minor | 10 | 6A | 129 BPM | ||
| AAJKAL PAON ZAAMIN PAR NAHIN PADTE | Lata Mangeshkar | D♭ Major | 4 | 3B | 108 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Tum Pukar Lo Tumhara Intezar Hai | Hemant Kumar | E Minor | 4 | 9A | 115 BPM | ||
| Aur Is Dil Mein - Duet | Suresh Wadkar, Asha Bhosle, Kalyanji-Anandji | B Major | 7 | 1B | 88 BPM | ||
| Mohe Bhool Gaye Sanwariya | Naushad, Shakeel Badayuni, Lata Mangeshkar | A Minor | 2 | 8A | 87 BPM | ||
| Hey Maine Kasam Li - From "Tere Mere Sapne " | Kishore Kumar, Lata Mangeshkar | A Minor | 4 | 8A | 88 BPM | ||
| Aji Rooth Kar Ab Kahan Jaiyega | Lata Mangeshkar | B♭ Minor | 4 | 3A | 140 BPM | ||
| Tere Liye | Madan Mohan, Lata Mangeshkar, Roop Kumar Rathod, Javed Akhtar | D♭ Minor | 5 | 12A | 98 BPM | ||
| Ek Akela Is Shaher Mein | Bhupinder Singh | D Major | 7 | 10B | 89 BPM | ||
| Ye Mulaqat Ek Bahana Hai - From "Khandaan" | Lata Mangeshkar | F♯ Minor | 7 | 11A | 117 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Pyaar Ka Pehla Khat | Jagjit Singh | A♭ Minor | 4 | 1A | 93 BPM | ||
| Pyaar To Hona Hi Tha | Jatin-Lalit, Remo Fernandes, Jaspinder Narula | A Major | 7 | 11B | 117 BPM | ||
| Laga Chunari Men Daag | Manna Dey | E♭ Major | 6 | 5B | 90 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Panna Ki Tamanna Hai | Kishore Kumar, Lata Mangeshkar, R. D. Burman | G Major | 6 | 9B | 110 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM |