Caroline Culver's 'London' had a release date set for December 2, 2021. London is considered explicit and may contain foul language. This song is about 3 minutes and 1 seconds, which is about the average length of a typical song. Because this song is the only song in London and no other songs are present in the album, we classify this track as a single. In terms of popularity, London is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of London by Caroline Culver to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Touch | Francis of Delirium | C Major | 7 | 8B | 132 BPM | ||
| Living Room | The Sewing Club | D Major | 7 | 10B | 171 BPM | ||
| obliterate me | ellis | D Major | 4 | 10B | 160 BPM | ||
| Habanero | Rosie Tucker | C Major | 6 | 8B | 95 BPM | ||
| Sunday | Harriette | C Major | 3 | 8B | 96 BPM | ||
| Spitting Image | Sharon Silva | C Major | 5 | 8B | 140 BPM | ||
| Treat Jar | Great Grandpa | C Major | 10 | 8B | 185 BPM | ||
| time is gone | Sydney Sprague | B Major | 7 | 1B | 77 BPM | ||
| Table | Hannah Cole | A♭ Minor | 7 | 1A | 158 BPM | ||
| Mascara | Sunday (1994) | F Minor | 8 | 4A | 96 BPM | ||
| At Your Best | Grace Gardner | G Major | 5 | 9B | 95 BPM | ||
| Stripes | Alix Page | C Major | 4 | 8B | 130 BPM | ||
| Don't Think About Me | Laura Stevenson | D♭ Major | 4 | 3B | 120 BPM | ||
| All Mirrors | Lia Pappas-Kemps | A Major | 8 | 11B | 114 BPM | ||
| What's Leftover | frown line | B♭ Major | 4 | 6B | 184 BPM | ||
| Unravel Me | Linka Moja | C Major | 3 | 8B | 85 BPM | ||
| What A Year Today Has Been | Hana Bryanne | D♭ Major | 2 | 3B | 89 BPM | ||
| Rubberneckers | Christian Lee Hutson | E Major | 1 | 12B | 182 BPM | ||
| NY/LA | Babygirl | E Major | 8 | 12B | 115 BPM | ||
| Monster | Hotel Fiction | F Major | 3 | 7B | 100 BPM | ||
| Oblivion | Victoria Bigelow | A Minor | 5 | 8A | 138 BPM | ||
| I Want To Be There | girlpuppy | C Minor | 9 | 5A | 117 BPM | ||
| Clovers | Mali Velasquez | A♭ Major | 3 | 4B | 134 BPM | ||
| Song For No One | Victoria Bigelow | A Major | 3 | 11B | 108 BPM | ||
| Ow | Rigby | B♭ Major | 7 | 6B | 122 BPM |