Black Lab's 'The Pain is Gone' had a release date set for October 19, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Two Strangers". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. The popularity of The Pain is Gone is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Pain is Gone by Black Lab having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 10.22 | Ben Moody | D♭ Minor | 6 | 12A | 110 BPM | ||
| God's Fault | Matthew Mayfield | G Minor | 4 | 6A | 74 BPM | ||
| Walter Reed | Michael Penn | B Major | 5 | 1B | 142 BPM | ||
| Always | Neverending White Lights | C Major | 8 | 8B | 75 BPM | ||
| It's Over Now | Neve | C Major | 9 | 8B | 169 BPM | ||
| World Ain't Right | Hurt | E Minor | 6 | 9A | 170 BPM | ||
| Always | Black Lab | F Major | 6 | 7B | 172 BPM | ||
| Withered | Atomship | D Minor | 6 | 7A | 131 BPM | ||
| Exit | Stateless | F Minor | 9 | 4A | 170 BPM | ||
| Running After My Fate (Crucifying Myself) | Jean-Pierre Taïeb, Anna He | E♭ Minor | 2 | 2A | 92 BPM | ||
| Gosia | The Mayan Factor | G Major | 6 | 9B | 107 BPM | ||
| Belle of the Ball | Matthew Mayfield | B Minor | 3 | 10A | 99 BPM | ||
| Sinner's Prayer | Sully Erna | A Minor | 8 | 8A | 157 BPM | ||
| The Devils Got His Place in Me | Corey Taylor | F Minor | 3 | 4A | 130 BPM | ||
| Descent | Harvard of the South | D Major | 3 | 10B | 200 BPM | ||
| Smooth | Car Stereo Wars | D♭ Major | 6 | 3B | 150 BPM | ||
| I Lived On The Moon (Acoustic Version) | Kwoon | D Minor | 1 | 7A | 151 BPM | ||
| Always Leaving | Cowboy Mouth | D Major | 8 | 10B | 161 BPM | ||
| A Quiet Mind | Blue October | C Major | 5 | 8B | 94 BPM | ||
| You Got Away(featuring Scooter Ward) | Sierra Swan | D Major | 8 | 10B | 180 BPM | ||
| Last Man Standing | People In Planes | G Minor | 9 | 6A | 94 BPM | ||
| Keep My Distance | Moses Mayfield | E♭ Major | 6 | 5B | 123 BPM | ||
| The Courage Or The Fall | Civil Twilight | A Minor | 2 | 8A | 67 BPM | ||
| The Warning | Neverending White Lights, Jonathan Bates | B Minor | 4 | 10A | 128 BPM | ||
| Ghost in Your Mind | Black Lab | E Major | 7 | 12B | 170 BPM |