Tripti Shakya, Amit Ranjan's ' "Angana May Baba" was released on its scheduled release date, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tripti Shakya, Amit Ranjan, Nitesh Raman's "Garam Masala" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Angana May Baba's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Angana May Baba by Tripti Shakya, Amit Ranjan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangal Bhawan Amangal Haari | chronically online | G Major | 5 | 9B | 79 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Ram Ji Ke Sath Jo Hanuman Nahin Hote | Lakhbir Singh Lakkha | F♯ Major | 6 | 2B | 163 BPM | ||
| Mann bhool Mat Jaiyo Radha Rani Ke Charan | Sanatana Sankirtan | D♭ Minor | 4 | 12A | 90 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| NAGRI HO AYODHYA SI RAGHUKUL SA GHARANA HO | Tripti Shakya | G Major | 7 | 9B | 88 BPM | ||
| Tali Baja Lena | Riza Khan, Bali Thakre | D Major | 10 | 10B | 128 BPM | ||
| Sakhi Ri Banke Bihari Se | Nikunj Kamra | A♭ Major | 1 | 4B | 89 BPM | ||
| Murli Ki Dhun | Nikhil Verma | F Major | 5 | 7B | 92 BPM | ||
| Badi Dur Teri Gokul Nagri | Mridul Krishan Shastri | E Major | 5 | 12B | 137 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Laal Rang Senura Ba | Bharat Sharma Vyas | B♭ Major | 7 | 6B | 140 BPM | ||
| Amrit Ki Barse Badariya | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 128 BPM | ||
| Murli Baja Ke Mohana | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 148 BPM | ||
| Hey Gopal Krishna karun Aarti teri | Devoleena Bhattacharjee | D♭ Major | 6 | 3B | 140 BPM | ||
| Bheja Hai Bulawa Tune Sheranwaliye (From "Mamta Ka Mandir") | Babla Mehta | E Minor | 8 | 9A | 82 BPM | ||
| Hamaro Dhan Radha Shree Radha | Tanishq Kothari | E Major | 3 | 12B | 104 BPM | ||
| Mera Aapki Kripa Se | Baal Gopal, Rudhav Sharma | G Major | 5 | 9B | 100 BPM | ||
| Subah Subah Le Shiv Ka Naam (From "Shiv Mahima") | Hariharan | E♭ Major | 3 | 5B | 104 BPM | ||
| Bhaiya Ke Saali Ke | Sunil Chhaila Bihari, Tripti Shakya | C Major | 7 | 8B | 137 BPM | ||
| Suno Suno Ek Kahani Suno | Vipin Sachdeva | B Minor | 5 | 10A | 147 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM | ||
| Cham Cham Nache Dekho Veer Hanumana | Anju Sharma | E♭ Major | 8 | 5B | 135 BPM | ||
| Pyara Saja Hai Tera Dwar | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 122 BPM | ||
| Achyutam Keshavam | Madhvi Madhukar | E♭ Major | 3 | 5B | 176 BPM |