John Forte's ' "The Right One/Father To Son Interlude" was released on its scheduled release date, June 23, 1998. This song is quite longer than the average track at 4 minutes and 30 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 14 in the song's album "Poly Sci". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, The Right One/Father To Son Interlude is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Right One/Father To Son Interlude by John Forte having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She A Narcotic | Calvin KuAdonis Cartwright | B♭ Minor | 6 | 3A | 104 BPM | ||
| True School Anthem | J-Live | D♭ Major | 8 | 3B | 97 BPM | ||
| アスク・サン | ウー・シンディケート | B♭ Minor | 5 | 3A | 90 BPM | ||
| Influential | Tom Caruana, Boog Brown, Supastition | F♯ Minor | 7 | 11A | 94 BPM | ||
| The Meaning | The High & Mighty | G Major | 9 | 9B | 90 BPM | ||
| Full Cooperation | Def Squad | A♭ Major | 6 | 4B | 132 BPM | ||
| It's Like That | Handsome Boy Modeling School, Casual, I Am Complete, Tim Meadows | D♭ Major | 9 | 3B | 80 BPM | ||
| Why Is That? | Boogie Down Productions | D Major | 5 | 10B | 96 BPM | ||
| I Never Knew | Aceyalone | F♯ Major | 9 | 2B | 82 BPM | ||
| Ghost Writer | Mad Skillz | D♭ Major | 4 | 3B | 93 BPM | ||
| You Got Shot | Prince Paul, Breeze, Sha | D♭ Major | 9 | 3B | 92 BPM | ||
| Fool's Paradise | Flex Carter | B♭ Minor | 6 | 3A | 179 BPM | ||
| Poly Sci | John Forte | C Major | 7 | 8B | 89 BPM | ||
| Increase | Adonis Joyce | B Minor | 5 | 10A | 90 BPM | ||
| Sister I'm Sorry | Sticky Fingaz, Choclatt | F Minor | 6 | 4A | 88 BPM | ||
| Did you | Blu Rum 13, One Self, DJ Vadim | A♭ Major | 5 | 4B | 87 BPM | ||
| Magnetism | XZER0 | G Minor | 3 | 6A | 150 BPM | ||
| Ain't Nothin Like Hip Hop - Bass Remix | Satisfack Shun | D♭ Major | 7 | 3B | 97 BPM | ||
| Me & My Crew | Rasco, KutMasta Kurt | D♭ Major | 8 | 3B | 98 BPM | ||
| To the Sky | Myka 9, Factor Chandelier | A Minor | 7 | 8A | 102 BPM | ||
| Sun, Moon and Bars | Shaheed and DJ Supreme, B.G. Knocc Out | G Minor | 3 | 6A | 150 BPM | ||
| Up 2 No Good Again | Tame One | G Minor | 9 | 6A | 94 BPM | ||
| Hang 'Em High - Wildness Version | Sadat X | E Major | 6 | 12B | 186 BPM | ||
| Check The Technique | Gang Starr | D Major | 7 | 10B | 95 BPM | ||
| ufuna nton' wena apha? (S03) | Lixxkunene | A♭ Major | 6 | 4B | 74 BPM |