Manu Martin, Ron J Danziger, Royal Philharmonic Orchestra, Robert Ziegler's ' "Lim Cosmic Rhapsody for Piano and Orchestra, Act IV: IV. Life on the Shelf" was released on its scheduled release date, May 2, 2025. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manu Martin, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler's "Lim Cosmic Rhapsody for Piano & Orchestra" album is number 17 out of 33. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Lim Cosmic Rhapsody for Piano and Orchestra, Act IV: IV. Life on the Shelf is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lim Cosmic Rhapsody for Piano and Orchestra, Act IV: IV. Life on the Shelf by Manu Martin, Ron J Danziger, Royal Philharmonic Orchestra, Robert Ziegler to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Fell in Love That November | Jon Adamich | D♭ Major | 4 | 3B | 131 BPM | ||
| Ertönt uns durch dein Güte Variation (After Jesus nahm zu sich die Zwölfe, BWV 22, No. 5: Ertöt uns durch dein Güte) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B♭ Major | 2 | 6B | 80 BPM | ||
| Father Brown Suite | Dirk Brossé, Brussels Philharmonic, Debbie Wiseman | F Major | 5 | 7B | 84 BPM | ||
| Islandus: Solon I | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | B♭ Minor | 1 | 3A | 92 BPM | ||
| THE LAST -NARUTO THE MOVIE- Main Theme | MUSASHI PROJECT, Yasuharu Takanashi, NDR Radiophilharmonie, Michael England | F Minor | 4 | 4A | 106 BPM | ||
| The Last Woman | Samuel Sim | B♭ Minor | 3 | 3A | 136 BPM | ||
| Give me a smile | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
| Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo "Garden Scene" (Arr. Spindler for Violin & Orchestra) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 1 | 6B | 173 BPM | ||
| Sin Reconocimientos | Las Guerreras | F♯ Major | 1 | 2B | 90 BPM | ||
| Gianni Schicci, SC 88: O mio babbino caro | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 1 | 4B | 75 BPM | ||
| Harry Potter and the Deathly Hallows: Obliviate | Alexandre Desplat, Orchestre de Paris | G Major | 2 | 9B | 93 BPM | ||
| Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | ||
| 魔王 | Hideakira Kimura | F Minor | 4 | 4A | 106 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM | ||
| Normandie (From "Claude Monet: The Immersive Experience") - From "Claude Monet: The Immersive Experience" | Michelino Bisceglia | G Major | 1 | 9B | 60 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Dråper | Christina Sandsengen, The Norwegian Radio Orchestra | E Minor | 0 | 9A | 79 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Steiner: Gone with the Wind: Tara’s Theme | Max Steiner, Orchestre Philharmonique De Strasbourg, Marko Letonja | F Major | 1 | 7B | 84 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Firstborn | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra | A Minor | 2 | 8A | 84 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Wind of Time | Jarko Vento | F Minor | 4 | 4A | 147 BPM | ||
| Breeze for the Stars | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Ludmilla W Strakowa | E Major | 1 | 12B | 59 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM |